There is no generation that has fallen under satanic deception like this where in we live. The first and most destructive reason is that we have wrongly defined MINISTERIAL SUCCESS. The emphasis in Joshua 1:8 is not just on success but on GOOD success...that suggest that its possible to have bad or wrong success. God Himself knows what good success is thats why He says it only comes by the WORD. Unfortunately we are witnessing a generation who lives in total deception. Deceiving and being deceived. Satan is not practically disturbed whether we mention Jesus is Lord or not. He has confidently created a counterfeit Church to dilute or make nonsense the genuineness of the gospel. Falsehood seems to thrive, masked within the envelope of large sized congregation, miracles and prophecies. This book looks at how Satan has infiltrated the church, how some celebrated Christian leaders who started out well has gradually slide into the camp of the enemy and has become tools in Satans hand to woo unsuspecting young ministers into cultic practices.... It also reveals what the true church is, Gods definition of what success is and his plan for the church and will as we close this age.

When the prophet Jokanaan is brought to the attention of the princess Salomé, he rebukes her interest, which causes her to make a brutal declaration.Oscar Wilde’s one-act tragedy explores the repercussions of her horrifying decision. Originally composed in French in 1892, Salomé is a controversial tale full of cruelty and retribution. Wilde expands on the Biblical story of John the Baptist, whom was captured and beheaded by Herod Antipas. It explores the interaction between the characters showing Salomé’s spiteful nature and Herod’s growing concern. It’s a bold adaptation of a somber tale that leaves a mark on all who read it. Salomé’s one-act story structure immediately dives into the strange dynamic amongst Herod and his family. Once Salomé’s bloodlust is apparent Herod’s forced to reconcile both of their futures. It’s a haunting drama that’s amplified by its Biblical setting and notable characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Salomé is both modern and readable.

Pastor and Bible teacher Randy McCracken offers an intimate look at lesser-known members of 1 and 2 Samuel's four main families--those of Samuel, Eli, Saul, and David. Examining characters unfamiliar to many Bible readers, he reveals important lessons for today.

The title of the volume may be a little perplexing: Archaeology on Either Side. But on either side of what? The picture we chose for the front cover might give an indication of the answer. This image shows two sides of the River Jordan – the Israeli side and the Jordanian side – both part of the Holy Land! Or we might understand the “either side” of our topic in another way, that is, archaeology both as the study of artifacts and archaeology as the study of literary sources. In the contributions the reader will find all these topics and much more: essays on excavations or archaeological findings in the Holy Land as defined above, and essays on literary sources linked to the history of the ancient Near East, especially in the time of the Christian/Common Era (CE). The book is made up of three main sections: “Excavations and Topographical Surveys”; “Architecture, Decorations, and Art”; “Epigraphy and Sigillography”. Some articles touch on more than one specific section, so they may be found between sections.

Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschüssel, the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.

A shepherdess who raced to the manger...a bride who saw Jesus turn water into wine...these are among the more than twenty rich imaginings of women hinted at in the Gospels, whose stories will enthrall and inspire.

Although the root of the Hebrew name “Salome” is “peaceful”, the image spawned by the most famous woman to carry that name has been anything but peaceful. She and her story have long been linked to the beheading of John the Baptist, as described in the Gospels of Matthew and Mark, since Salome was the supposed catalyst for the prophet’s execution. This history of the myth of Salome describes the process by which that myth was created, the roles that art, literature, theology and music played in that creation, and how Salome’s image as evil varied from one period to another according to the prevailing cultural myths surrounding women. After setting forth the Biblical and historical origins of the Salome story, the book examines the major cultural, literary and artistic works which developed and propagated it, including those by Filippo Lippi, Rogier van der Weyden, Titian, Moreau, Beardsley, Mallarmé, Wilde and Richard Strauss.