Best known as a master of searing satire, American author Ambrose Bierce was also an accomplished short story writer. The engrossing tale "The Damned Thing" presents as its central theme the ultimately unknowable -- and untameable -- essence of nature and the natural world. Told from several different perspectives, the story focuses on a freak fatal accident that is written off as a wild animal attack. But does that description get at the truth of the matter? At least one witness is convinced otherwise. Read "The Damned Thing" to try your own hand at solving the case.

'One of my favourite books of all time' CHARLAINE HARRIS 'Jodi Taylor is quite simply the Queen of Time. Her books are a swashbuckling joyride through History' C. K. MCDONNELL 'A great mix of British properness and humour with a large dollop of historical fun' ⭐ ⭐⭐ ⭐⭐ Meet St Mary's - a group of tea-soaked disaster magnets who hurtle their way around History. - If the whole of History lay before you, where would you go? When Dr Madeleine Maxwell is recruited by the St Mary's Institute of Historical Research, she discovers the historians there don't just study the past - they revisit it. But one wrong move and History will fight back - to the death. And Max soon discovers it's not just History she's fighting... BOOK 1 IN THE INTERNATIONALLY BESTSELLING CHRONICLES OF ST MARY'S SERIES For fans of Jasper Fforde, Doctor Who, Genevieve Cogman and Richard Osman's Thursday Murder Club Readers love Jodi Taylor: 'Once in a while, I discover an author who changes everything... Jodi Taylor and her protagonista Madeleine "Max" Maxwell have seduced me' 'Addictive. I wish St Mary's was real and I was a part of it' 'Science fiction, historical fantasy, love story and more all wrapped up in a fast-paced comedy of errors. Please don't wait to read it, you don't know what you are missing' 'Jodi Taylor has an imagination that gets me completely hooked' 'A tour de force'

He was the successor of Edgar Allan Poe and a harbinger of H. P. Lovecraft, penning some of the most shocking, savage horror stories in the English language. His dark, literary universe was haunted by shadowy monsters who never quite revealed themselves, only stalking in the dim background like woodland predators around a campfire. And what better stories for any campfire's company: he wrote twilight tales of seductive werewolves, zombie resurrections, nights spent with corpses in empty houses, haunted cabins, killer robots, wartime ghost stories, invisible predators, reincarnated spirits, family curses, ghoul-haunted graveyards, jilted ghosts' violent revenges, mysterious disappearances, spectral visions, guilt-maddened murderers, and battlefield carnage. There was never a better author to read around the snapping flare of a lonely campsite than the rustic, existential horror stories of Ambrose Bierce. In death, as in life, Bierce is defined by contradictions. He was a mystical materialist, a cynical idealist, and a compassionate curmudgeon. His stories - especially those which we can classify as horror or fantasy - illustrate a world which fails to live up to its promises. As he wrote in "The Devil's Dictionary," a ghost is the outward sign of an inward fear - a visual signifier of a spiritual sickness. His stories are loaded with spooks of this sort. These are the ghosts of what should be. They are the ghosts of a murdered potential: the potential to do life well - properly, as it should be. His stories are haunted by monsters of automated technology ("Moxon's Master"), intellectual insecurity ("The Damned Thing"), sexual anxiety ("Eyes of the Panther"), and hereditary corruption. Failure is the chief of all these phantoms, however. Failure to do what one ought, and become what one should. This was a deeply personal boogeyman for Bierce. One which cast its shadow over his life and stamped its footprints into his fiction. What he left behind him, after vanishing into the dusty Mexican air, was a universe bedeviled by disappointment - in mankind, in the universe, and in himself. It is a raw and savage universe, but one dimly illuminated by Bierce's frustrated idealism. We can see the shadows for that light, but in those shadows, what monsters lurk.

By THE light of a tallow candle, which had been placed on one end of a rough table, a man was reading something written in a book. It was an old account book, greatly worn; and the writing was not, apparently, very legible, for the man sometimes held the page close to the flame of the candle to get a stronger light upon it. The shadow of the book would then throw into obscurity a half of the room, darkening a number of faces and figures; for besides the reader, eight other men were present. Seven of them sat against the rough log walls, silent and motionless, and, the room being small, not very far from the table. By extending an arm any one of them could have touched the eighth man, who lay on the table, face upward, partly covered by a sheet, his arms at his sides. He was dead.

Ambrose Gwinnett Bierce (1842-1914) was an American editorialist, journalist, short-story writer and satirist, today best known for his The Devil s Dictionary (1911). He wrote some of his books under the pseudonyms Dod Grile and J. Milton Sloluck. Bierce s lucid, unsentimental style has kept him popular when many of his contemporaries have been consigned to oblivion. His dark, sardonic views and vehemence as a critic earned him the nickname, Bitter Bierce. Such was his reputation that it was said his judgment on any piece of prose or poetry could make or break a writer s career. His short stories are considered among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as An Occurrence at Owl Creek Bridge, Killed at Resaca, and Chickamauga. His works include: The Fiend s Delight (1873), Cobwebs from an Empty Skull (1874), Black Beetles in Amber (1892), Fantastic Fables (1899), Shapes of Clay (1903), A Son of the Gods, and A Horseman in the Sky (1907), Write It Right (1909) and A Cynic Looks at Life (1912).

"Time travel, UFOs, mysterious planets, stigmata, rock-throwing poltergeists, huge footprints, bizarre rains of fish and frogs-nearly a century after Charles Fort's Book of the Damned was originally published, the strange phenomenon presented in this book remains largely unexplained by modern science. Through painstaking research and a witty, sarcastic style, Fort captures the imagination while exposing the flaws of popular scientific explanations. Virtually all of his material was compiled and documented from reports published in reputable journals, newspapers and periodicals because he was an avid collector. Charles Fort was somewhat of a recluse who spent most of his spare time researching these strange events and collected these reports from publications sent to him from around the globe. This was the first of a series of books he created on unusual and unexplained events and to this day it remains the most popular. If you agree that truth is often stranger than fiction, then this book is for you"--Taken from Good Reads website.

Feel the swing and sway of the Jazz Age in this collection of stories by F. Scott Fitzgerald. F. Scott Fitzgerald’s The Beautiful and Damned explores the world of America’s upper class during World War I and the beginning of the Jazz Age. Loosely based on Fitzgerald’s relationship with his wife, Zelda, the novel centers around Anthony Patch, a young East Coast socialite who is heir to his grandfather’s fortune and lacks motivation to pursue a meaningful career. In his attempt to find his place in society while waiting for his inheritance, Anthony loses himself to alcoholism; neglects his wife, Gloria; and struggles with the realities of everyday life. This volume also includes seven short stories by Fitzgerald published in the early 1920s, including “The Curious Case of Benjamin Button.”