Jonny Hooker has been picked as a WINNER! and all he has to do to claim his prize is to solve the Da-da-de-da-da Code. Jonny knows that beat; it always turns up in popular music - like 'Waltzing Matilda', or the National Anthem. And it has something to do with the Devil's Chord. And with Robert Johnson (who sold his soul to the Devil), whose blues influenced a generation of musicians. And it definitely has something to do with Elvis, who is still alive and rocking (of course). And with the Secret Parliament of Five, who meet in Gunnersbury Park to dictate world affairs. And when he solves the Da-da-de-da-da Code, Jonny will also discover why all the most famous rock musicians die aged twenty-seven, the truth about raising an ancient god, and the destruction of the world. It's all right there in the music. All Jonny has to do is to crack that code. Before he dies on Monday.

Contains eight fantastic novels: THE HOLLOW CHOCOLATE BUNNIES OF THE APOCALYPSE, THE WITCHES OF CHISWICK, KNEES UP MOTHER EARTH, THE BRIGHINOMICON, THE TOYMINATOR, THE DA-DA-DE-DA-DA CODE, NECROPHENIA and RETROMANCER

This is the first comprehensive study of bodily images in Dada. Travelling between the international centres of the movement, from Zurich to Berlin, Paris to New York, it examines a diverse range of media, including art, literature, performance, photography and film. Its overall approach is to confront Dada’s bodily images not as organic unities but as fictions that reflect on the disjunctive, dehumanised society of war-torn Europe. These fictions occupy an ambivalent space between the battlefield (in their satirical exposure of ideology) and the fairground (in their playful manipulation and joyful renewal of the body). The book features analyses of works by Max Ernst, Francis Picabia, Hannah Höch, Marcel Duchamp and others, and will appeal to scholars and students of European history, cultural history, art and literature.

Error coding is a fascinating subject as much, if not more so, as it is an indispensable part of modem engineering systems. Unfortunately, in a bid to remain general and to create a solid foundation upon which to build, many books on this subject are out of the reach of those with more engineering-based, or non-mathematical backgrounds. This is a pity because in many cases the maths is tractable with few and simple rules. If we are content to believe that it works, and let others worry about the deeper mysteries of how or why, then with a little practice the design and implementation of practical error coding systems becomes straightforward. In this text I have attempted to reveal the useful kernel of the subject, removing the shell of terms and proofs that usually surrounds it. Being somewhat empirical in nature ( an empiricist), and occasionally heard to quote the adage, 'if it works twice it's a law', my explanations take this form. For many, including myself, abstract ideas are often better grasped by practical illustration than from yards of theory.

Jonny Hooker has been picked as a WINNER! and all he has to do to claim his prize is to solve the Da-da-de-da-da Code. Jonny knows that beat; it always turns up in popular music - like 'Waltzing Matilda', or the National Anthem. And it has something to do with the Devil's Chord. And with Robert Johnson (who sold his soul to the Devil), whose blues influenced a generation of musicians. And it definitely has something to do with Elvis, who is still alive and rocking (of course). And with the Secret Parliament of Five, who meet in Gunnersbury Park to dictate world affairs. And when he solves the Da-da-de-da-da Code, Jonny will also discover why all the most famous rock musicians die aged twenty-seven, the truth about raising an ancient god, and the destruction of the world. It's all right there in the music. All Jonny has to do is to crack that code. Before he dies on Monday.

What is the relevance of Dada and its artistic strategies in our current moment, one marked by post-truth politics, information floods and big data? How can contemporary art highlight the neglected nuances of cultural representation in the present day? While it may feel like we are living in a period of anomaly with the rise of the alt-right, this book shows how the Dada movement's artistic response to the aggressive nationalism and fascism of its time offers a fruitful analogy to our contemporary era. Dada's counter-cultural strategies, such as the distortion of reality and attacks on elites and rationality, have long been endorsed by artistic avantgardes and subcultures. Dada Data details how modern-day movements have appropriated such tactics in their ways of addressing the public both on- and offline. Bringing together contributions from interdisciplinary scholars, curators and artists working in global contexts that explore an array of artistic modes of persuasion and resistance, the book demonstrates how contemporary art can bring out neglected nuances of our post-truth moment. In linking the Dada movement's counter-cultural activities to modern phenomena such as post-internet art, information floods and big data mining, the book collates original propaganda with diverse artwork from such figures as Hannah Höch, Paula Rego, Tschabalala Self, Sheida Soleimani and South African artists donna Kukama and Kemang Wa Lehulere. In doing so, Dada Data brings together a rich scrapbook of Dada resources and perspectives that are highly relevant to present-day political concerns. With artistic contributions by IOCOSE, donna Kukama, Kemang Wa Lehulere and Montage Mädels.