The twentieth century was, by any reckoning, the age of the child in America. Today, we pay homage at the altar of childhood, heaping endless goods on the young, reveling in memories of a more innocent time, and finding solace in the softly backlit memories of our earliest years. We are, the proclamation goes, just big kids at heart. And, accordingly, we delight in prolonging and inflating the childhood experiences of our offspring. In images of the naughty but nice Buster Brown and the coquettish but sweet Shirley Temple, Americans at mid-century offered up a fantastic world of treats, toys, and stories, creating a new image of the child as "cute." Holidays such as Christmas and Halloween became blockbuster affairs, vehicles to fuel the bedazzled and wondrous innocence of the adorable child. All this, Gary Cross illustrates, reflected the preoccupations of a more gentle and affluent culture, but it also served to liberate adults from their rational and often tedious worlds of work and responsibility. But trouble soon entered paradise. The "cute" turned into "cool" as children, following their parental example, embraced the gift of fantasy and unrestrained desire to rebel against the saccharine excesses of wondrous innocence in deliberate pursuit of the anti-cute. Movies, comic books, and video games beckoned to children with the allures of an often violent, sexualized, and increasingly harsh worldview. Unwitting and resistant accomplices to this commercial transformation of childhood, adults sought-over and over again, in repeated and predictable cycles-to rein in these threats in a largely futile jeremiad to preserve the old order. Thus, the cute child-deliberately manufactured and cultivated--has ironically fostered a profoundly troubled ambivalence toward youth and child rearing today. Expertly weaving his way through the cultural artifacts, commercial currents, and parenting anxieties of the previous century, Gary Cross offers a vibrant and entirely fresh portrait of the forces that have defined American childhood.

What are the predominant aesthetics of the twenty-first century? Thorsten Botz-Bornstein argues that deculturation, embodied by the conspicuous vulgarity of kitsch, is the overriding visual language of our times. Drawing on the work of Islam scholar Olivier Roy, who argued that religious fundamentalism arises when religion is separated from the indigenous cultural values, Botz-Bornstein shows that the production of 'absolute' truths through deculturation also exists in contemporary education. The neoliberal environment has separated learning from culture by emphasizing standardization and quantified learning outcomes. In a globalized environment, the idea of culture is no longer available as a referent; instead we are taught to rely on the culturally neutral term 'excellence'. For Botz-Bornstein, this is an absolute value similar to the 'truth' of religious fundamentalists. Similarly, kitsch is what happens when aesthetic values are separated from cultural contexts. Kitsch is aesthetic fundamentalism. Kitsch aesthetics are an aesthetics of excellence. The consumption of kitsch can be understood as an intrinsically narcissistic impulse, reinforced by social media, individuals recycling their own selves without being confronted with the culture of the “other.” The existence of self-centred “alternative truths”, fake news and conspiracy theories and selfies are linked together in the fundamentalism–neoliberalism–kitsch pattern. Including analysis of the intersections of 'cute', 'excellent', 'sublime', and 'interesting' in contemporary aesthetic culture, this is a journey through philosophy, psychology and cultural theory, redefining a new aesthetics of deculturation.

Why are some things cute, and others not? What happens to our brains when we see something cute? And how did cuteness go global, from Hello Kitty to Disney characters? Cuteness is an area where culture and biology get tangled up. Seeing a cute animal triggers some of the most powerful psychological instincts we have - the ones that elicit our care and protection - but there is a deeper story behind the broad appeal of Japanese cats and saccharine greetings cards. Joshua Paul Dale, a pioneer in the burgeoning field of cuteness studies, explains how the cute aesthetic spread around the globe, from pop brands to Lolita fashion, kids' cartoons and the unstoppable rise of Hello Kitty. Irresistible delves into the surprisingly ancient origins of Japan's kawaii culture, and uncovers the cross-cultural pollination of the globalised world. If adorable things really do rewire our brains, it can help answer some of the biggest questions we have about our evolutionary history and the mysterious origins of animal domestication. This is the fascinating cultural history of cuteness, and a revealing look at how our most powerful psychological impulses have remade global style and culture.

NEWSFLASH: Your mom and dad weren’t always parents. They used to be people—and they were awesome They bathed you. They fed you. They raised you to become the person you are today. Your parents are an integral part of your story. But guess what? They have a story too—one that started long before you entered the picture. Before embarrassing fanny packs and Lite FM, there was a time when Mom and Dad were young and carefree—just like you. They were also fun and flirty, full of hope and desire and effortlessly cool. Based on the wildly popular website, My Parents Were Awesome shares heartwarming and hilarious essays by sons and daughters—including Jamie Deen, Christian Lander, Dave Itzkoff, Katherine Center, Laurie Notaro, and Holly Peterson—who’ tell tales of their folks before babies, mortgages, and receding hairlines: the mom and dad who traveled by VW bus to see Led Zeppelin for $1, the grandmother whose halter top and shorts belied her perfect demeanor, the father whose wanderlust passed down to his equally nomadic daughter. Accompanied by treasured vintage photographs, these stories will make you laugh, melt your heart, and spark your own reflections of Mom and Dad. “Jimmy and Paula” by Jamie Deen “Eleanor and Johnny” by Jennifer Mascia “Steve and Teena” by Mike Adamick “Tony and Leeka” by Aaron Khefeits “Bruno and Elena” by Elia Bazan Garcia “Richard and Jennifer” by Christian Lander “Bob and Kitty” by Mindy Raf “Elaine and Jerry” by Mike Sacks “Josephine and Jim” by Salena Landon Reese “Lil and Jon” by Sara Benincasa “Seymour” by David Kamp “Christy and Teddy” by Kambri Crews “Joe and Patricia” by Tom McAllister “Ron and Sherry” by Rebecca Serle “Chuck and Debra” by Alex Blagg “Bob and Leslie” by Bex Schwartz “Gerry and Maddy” by Dave Itzkoff “David” by Jackie Mancini “Seymour” by Philip Glist “Patricia and Jerry” by Mandy Stadtmiller “Deborah” by Katherine Center “Carol and Jimmy” by Laurie Notaro “Heather and Ian” by Gabrielle Nancarrow “Phil and Karen” by Mollie Glick “Marty and Aveva” by Rachel Shukert “Azra and Ilarion” by Veronica Lara “David and Maria” by Anita Serwacki “Wayne and Margaret” by Hanna Brown Gordon “Martha and Jim” by Kate Spencer “Roger and Terry” by Kyle Beachy “Diane and Michael” by Leigh Newman “Kevin and Moira” by Ben Craw “Pete” by Holly Peterson “Martin” by Bradley H. Gendell “Addie and James” by Meg Federico “Dolores” by Durga Chew-Bose “Terry and Kathy” by Brandy Barber “Jim and Kathy” by Jennifer E. Smith “Hazel” by Rachel Fershleiser “Andrei” by Alexandra Stieber “Jud and Claudia” by Ryan Doherty “Kathryn and Phillipe” by Kathryn Borel “Astrid” by Ophira Eisenberg “Don and Corinne” by Rachel Sklar “Panfilo and Leonina” by Giulia Rozzi

Looking at consumption from the child's perspective this book differs from the competition by uncovering what being a consumer means to the children themselves - from their perspective - giving them a voice in the debate

Spanning antiquity until the present, Zhao Lu analyses the eclectic and fictitious representations of Confucius that have been widely celebrated by communities of people throughout history. While mainstream scholarship mostly considers Confucius in terms of his role as a celebrated man of wisdom and as a teacher with a humanistic worldview, Zhao addresses the weirder representations. He considers depictions of Confucius as a prophet, a fortune-teller, a powerful demon hunter, a shrewd villain of 19th century American newspapers, an embodiment of feudal evils in the Cultural Revolution, and as a cute friend. Zhao asks why some groups would risk contradicting the well-accepted image of Confucius with such representations and shows how these illustrations reflect the specific anxieties of these communities. He reveals not only how people across history perceived Confucius in diverse ways, but more importantly how they used Confucius in daily life, ranging from calming their anxiety about the future, to legitimizing a dynasty, stereotyping Chinese people, and even to forging a new sense of history.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.