On October 16, 1995, a million black men- sons and brothers, husbands and fathers- made a commitment to ourselves that we would not shirk our duties as fathers to our children, loving husbands to our wives, and for a serious examination of our place in the world. It was on this day, in a speech by Minister Farrakhan, that I first heard about Willie Lynch. There was something about that part of his message that stuck with me for the past ten years. Scholars would say that it is too simplistic to attribute our failings to one person- one plan- one scheme, Willie Lynch. We are not that naïve, are we? And, anyway, if true, his effort at social engineering took place 300 years ago. In this book, I will attempt to explain, in broad terms, the negative results of that social engineering project of Willie Lynch. I will also make recommendations designed to combat it. I want to tell my readers how the cornerstone of black society, the family, has been eroded to the point of despair; the mindset that caused it, and some possible basic solutions. The educational system should be the easiest to fix. We must stop putting kids in bad learning situations, and leaving them to fail. We have choices and we must exercise those choices. The economic wealth of African Americans is larger than most countries in the world today. Yet we fail to benefit from that wealth. We are Bling-Bling Broke. We are the second largest voting block in the country, yet we have marginalized ourselves by voting for anyone who will promise us civil rights (The Democrats). They don’t deliver, yet we continue to vote the same way each election. To this day, the media will rarely portray Blacks in a positive way. The media has proven to be the most effective instrument of the Willie Lynch social engineering experiment. From the days of slavery the church played a vital role in the rebuilding of the moral foundation necessary for this society to grow strong and correct. The Willie Lynch legacy is the one consistent thread that seems to affect all of us. In 2006 we still occasionally exhibit social behavior reminiscent of the Willie Lynch legacy.

Willie Lynch, a British slave owner from the West Indies, stepped onto the shores of colonial Virginia in 1712, bearing secrets that would shape the fate of generations to come. Within this manuscript, allegedly transcribed from Lynch’s speech to American slaveholders on the banks of the James River, lies a blueprint for subjugation. Lynch’s genius lay not in brute force but in psychological warfare. He understood that to break a people, one must first break their spirit. His methods—pitiless and cunning—sowed seeds of distrust, pitting slave against slave, exploiting vulnerabilities, and perpetuating a cycle of suffering. This document sheds light on the brutal realities of slavery and the ways in which its legacy continues to shape contemporary society

Describes the African slave trade from the viewpoint of the Southern plantation owners.

"Each chapter of this title focuses on a different aspect of African American culture and how the current system prevents widespread development of that necessity. Criticisms and proposals are laid out against the family dynamic, the school system, social welfare programs, reckless spending, and even the American political system"--Back cover.

For forty years after the death of Martin Luther King, African Americans wandered in the wilderness of American society in search of the Promised Land. For these forty years, African Americans struggled to find their identity, their moral center, and their sense of self-worth. The journey ended with the election of Barack Obama to the presidency in 2008, and this became the awakening. In From the Curse of Willie Lynch to the Awakening, author James C. Rollins discusses how African Americans can now begin to believe in themselves and build a strong society. Rollins discusses the important elements in creating a proud, strong, black segment of American society, which include: New, young leadership Sound and viable educational opportunities Wealth building Political power From the Curse of Willie Lynch to the Awakening seeks to promote change within the African American community. It serves to empower African American youth to begin building that shining city on the hill, a city that black Americans can be proud of.

In the midst of oppression, poverty, violence, and insufficiency where survival takes priority over salvation, what theology speaks to this condition? Black Theology and Holy Hip-hop are important to understand and promote, especially in their relationship to inner-city ministry and spiritual development, primarily in regards to black and brown youth. This work investigates the complex crises experienced among our black and brown youth, with special focus on the inner-city. Black Theology and Holy Hip-hop is less about people and more about institutions--the dichotomy between the institution of the church and the social institution of music that affects young people's mindset. This book will examine how a double-edged sword of Black Theology and Holy Hip-hop will cut a new faith in inner-city ministry that will initiate freedom against personal pain and systemic oppression, on the one hand, and free minds from self-hate and submissive control on the other.

Black Women in Sequence takes readers on a search for women of African descent in comics subculture. From the 1971 appearance of the Skywald Publications character “the Butterfly” - the first Black female superheroine in a comic book - to contemporary comic books, graphic novels, film, manga, and video gaming, a growing number of Black women are becoming producers, viewers, and subjects of sequential art. As the first detailed investigation of Black women’s participation in comic art, Black Women in Sequence examines the representation, production, and transnational circulation of women of African descent in the sequential art world. In this groundbreaking study, which includes interviews with artists and writers, Deborah Whaley suggests that the treatment of the Black female subject in sequential art says much about the place of people of African descent in national ideology in the United States and abroad. For more information visit the author's website: http://www.deborahelizabethwhaley.com/#!black-women-in-sequence/c65q