By Thomas Longueville unfolds a captivating scandal set in 17th century Great Britain. Longueville's storytelling prowess shines in this historical narrative, offering readers a gripping tale of intrigue and drama.

Criminal cases raise difficult normative and legal questions, and are often a consequence of compelling human drama. In this collection, expert authors place leading cases in criminal law in their historical and legal contexts, highlighting their significance both in the past and for the present. The cases in this volume range from the fifteenth to the twenty-first century. Many of them are well known to modern criminal lawyers and students; others are overlooked landmarks that deserve reconsideration. The essays, often based on extensive and original archival research, range over a wide spectrum of criminal law, covering procedure and doctrine, statute and common law, individual offences and general principles. Together, the essays explore common themes, including the scope of criminal law and criminalisation, the role of the jury, and the causes of change in criminal law.

The high society of Stuart England found Frances Coke Villiers, Viscountess Purbeck (1602-1645) an exasperating woman. She lived at a time when women were expected to be obedient, silent, and chaste, but Frances displayed none of these qualities. Her determination to ignore convention contributed in no small measure to a life of high drama, one which encompassed kidnappings, secret rendezvous, an illegitimate child, accusations of black magic, imprisonments, disappearances, and exile, not to mention court appearances, high-speed chases, a jail-break, deadly disease, royal fury, and - by turns - religious condemnation and conversion. As a child, Frances became a political pawn at the court of King James I. Her wealthy parents, themselves trapped in a disastrous marriage, fought tooth and nail over whom Frances should marry, pulling both king and court into their extended battles. When Frances was fifteen, her father forced her to marry John Villiers, the elder brother of the royal favourite, the Duke of Buckingham. But as her husband succumbed to mental illness, Frances fell for another man, and soon found herself pregnant with her lover's child. The Viscountess paid a heavy price for her illicit love. Her outraged in-laws used their influence to bring her down. But bravely defying both social and religious convention, Frances refused to bow to the combined authority of her family, her church, or her king, and fought stubbornly to defend her honour, as well as the position of her illegitimate son. On one level a thrilling tale of love and sex, kidnapping and elopement, the life of Frances Coke Villiers is also the story of an exceptional woman, whose personal experiences intertwined with the court politics and religious disputes of a tumultuous and crucially formative period in English history.

Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts into their commonplace books, verse miscellanies, diaries, and songbooks. This is the first book to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays.

THE curious case of Lady Purbeck is here presented without embellishment, much as it has been found in old books and old manuscripts, chiefly at the Record Office and at the British Museum. Readers must not expect to find any "well-drawn characters," "fine descriptions," "local colour," or "dramatic talent," in these pages, on each of which Mr. Dry-as-dust will be encountered. Possibly some writer of fiction, endowed with able hands directed by an imaginative mind, may some day produce a readable romance from the rough-hewn matter which they contain: but, as their author's object has been to tell the story simply, as it has come down to us, and, as much as was possible, to let the contemporaries of the heroine tell it in their own words, he has endeavoured to suppress his own imagination, his own emotions, and his own opinions, in writing it.