From booties and scarves to art and fashion, The Culture of Knitting addresses knitting as art, craft, design, fashion and performance, and as an aspect of the everyday. Drawing on a variety of sources, including interviews with knitters from different disciplines as well as amateurs, the text breaks down hierarchical boundaries and stereotypical assumptions that have previously negated the academic study of knitting. The book also highlights the diversity and complexity of knitting in all its guises. The Culture of Knitting investigates not merely why knitting is so popular now but also the reasons why knitting has such longevity. By assessing the literature of knitting, manuals, patterns, social and regional histories, alongside testimonial discussions with artists, designers, craftspeople and amateurs, the book offers new ways of seeing and new methods of critiquing knitting - without the constraints of disciplinary boundaries - in the hope of creating an environment in which knitting can be valued, recognized and discussed.

In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination. Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture and their venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people and places and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history. Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the nineteenth century, the most popular, longest-enduring, and most highly commercialized images of the past represented it not as cosy and secure, but rather as dangerous, disorderly, and violent. The past was also imagined as an urban place, rather than as rural. In Melman's account, City not green Country, is the centre of a popular version of the past whose central Images are the dungeon, the gallows, and the guillotine.

“Susan has placed the history of knitting within the context of American history, so we can clearly see how knitting is intertwined with such subjects as geography, migration, politics, economics, female emancipation, and evolving social mores. She has traced how a melting pot of knitting traditions found their way into American culture via vast waves of immigration, expanded opportunity for travel, and technology.” —Melanie Falick This is the history that Knitting America celebrates. Beautifully illustrated with vintage pattern booklets, posters, postcards, black-and-white historical photographs, and contemporary color photographs of knitted pieces in private collections and in museums, this book is an exquisite view of America through the handiwork of its knitters.

The World of Knitting Right at Your Fingertips More than a how-to book, A Passion for Knitting goes beyond teaching the craft and introduces readers to the culture of knitting. In Part I, you'll find fully illustrated instructions for learning stitches and mastering technique, presented with unprecedented clarity. They're so simple that you really can learn without a teacher. With this book in hand -- and no prior experience -- you will be able to knit a gorgeous sweater, scarf, or throw. Next, Part II welcomes new knitters to the worldwide knitting community, exploring the myriad benefits this popular craft has to offer. This section, unique among all other guides, invites readers to Tap into the power of knitting as a means of reducing stress and expressing creativity Meet the design "gurus" and other stars of the knitting world Discover opportunities for fellowship and networking with other knitters in clubs, conventions, and unique cultural fiber tours to countries ranging from England to Peru Use their knitting skills to meaningfully support charities Learn about the fashion trends in knitting from Trisha Malcolm, editor in chief of Vogue Knitting

Every time we knit, we have the opportunity to create positive change in ourselves, our community, and in the world. That’s Betsy Greer’s fervent belief, and in this book she shows us how. Betsy explores the ways we can use knitting to slow down in a fast-paced culture, while using the craft to benefit charities in our communities, to advocate for worthwhile causes, and to support individuals and communities across the globe. Filled with insights from knitters and crafters on how they use craft to benefit others, Knitting for Good! will get you thinking about knitting in a whole new way. To learn more about the author, visit her website: craftivism.com

In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.