The Cynical Society is a study of the political despair and abdication of (individual) responsibility Goldfarb calls cynicism—a central but unexamined aspect of contemporary American political and social life. Goldfarb reveals with vivid strokes how cynicism undermines our capacity to think about society's strengths and weaknesses. Drawing on thinkers from Alexis de Tocqueville to Allan Bloom and on such recent works as Beloved, Bonfire of the Vanities, and Mississippi Burning, The Cynical Society celebrates cultural pluralism's role in democracy.

Asks: how did ancient Cynic philosophy come to provide a name for its modern, unphilosophical counterpart, and what events caused such a dramatic reversal of cynicism's former meanings? This work traces the concept of cynicism from its origins as a philosophical way of life in Greek antiquity.

While many of the essays in this book were written before 9/11, they point to a number of important issues such as the commercialization of public life, the stepped up militarization, racial profiling, and the threat to basic civil liberties that have been resurrected since the terrorist attacks. Public Spaces, Private Lives serves to legitimate the claim that there is much in America that has not changed since 9/11. Rather than a dramatic change, what we are witnessing is an intensification and acceleration of the contradictions that threatened American democracy before the tragic events of 9/11. Hence, Public Spaces, Private Lives offers a context for both understanding and critically engaging the combined threats posed by the increase in domestic militarization and a neoliberal ideology that substitutes market values for those democratic values that are crucial to rethinking what a vibrant democracy would look like in the aftermath of September 11th.

In this original and provocative book, Timothy Bewes descends into the modern cynical consciousness with a critical assessment of the preoccupations of contemporary society.

This book is the first academic text to examine cynicism as a driving force in the context of post-war British culture. It maps a sensibility that transcends divisions between high and low culture, and encompasses figures such as Philip Larkin, John Lennon and Stephen Patrick Morrissey.

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We live in a cynical age. Cynicism is in the air we breathe; it is a cultural norm; it is the default setting and lens through which many of us view the world. In this book, Dick Keyes explores cynicism in all its manifestations and then looks beyond to alternatives that speak honestly about suspicion, trust and hope.