Delve into the rich tapestry of Islamic culture in this insightful work by Marmaduke Pickthall, an English convert to Islam who gained renown for his esteemed English translation of the Quran. Through a series of engaging lectures, Pickthall sheds light on the diverse facets of Islamic civilization, encompassing its culture, literature, art, and social structures. He explores the profound impact of Islamic values and traditions on the lives of Muslims worldwide, offering a nuanced understanding of this vibrant and multifaceted cultural heritage.

Islamic culture, which is still vigorous in spite of its great antiquity, set out to develop side by side a vision of the individual and of the universe, a philosophy and an art of living that can be seen in the impressive remains of its heritage that is an essential part of the whole of humankind's. Halted for a time by adverse historical conditions, this culture none the less found the strength within itself to re-emerge. Its fidelity to its roots does not prevent it from keeping up with the times and participating in contemporary forums and the stirring dialogue of cultures. This series of volumes on the manifold facets of Islamic culture is intended to acquaint a very wide public with such matters as: the theological bases of the faith and principles that constitute the bedrock of the overall structure; the status of the individual and of society in the Islamic world; the expansion of Islam since the Revelation: the Arab, Asian, African and European spheres espousing the new faith and the way in which the rights of converted peoples have been upheld; the vital contribution of Islamic civilization to the adventure of human knowledge in science and technology; the educational and cultural manifestations of Islamic civilization in literature, the visual arts and architecture; finally, Islam today between loyalty to its past and the inescapable conquest of modernity.

How do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.

In the Western imagination, Islamic cultures are dominated by dogmatic religious norms that permit no nuance. Those fighting such stereotypes have countered with a portrait of Islam’s medieval “Golden Age,” marked by rationality, tolerance, and even proto-secularism. How can we understand Islamic history, culture, and thought beyond this dichotomy? In this magisterial cultural and intellectual history, Thomas Bauer reconsiders classical and modern Islam by tracing differing attitudes toward ambiguity. Over a span of many centuries, he explores the tension between one strand that aspires to annihilate all uncertainties and establish absolute, uncontestable truths and another, competing tendency that looks for ways to live with ambiguity and accept complexity. Bauer ranges across cultural and linguistic ambiguities, considering premodern Islamic textual and cultural forms from law to Quranic exegesis to literary genres alongside attitudes toward religious minorities and foreigners. He emphasizes the relative absence of conflict between religious and secular discourses in classical Islamic culture, which stands in striking contrast to both present-day fundamentalism and much of European history. Bauer shows how Islam’s encounter with the modern West and its demand for certainty helped bring about both Islamicist and secular liberal ideologies that in their own ways rejected ambiguity—and therefore also their own cultural traditions. Awarded the prestigious Leibniz Prize, A Culture of Ambiguity not only reframes a vast range of Islamic history but also offers an interdisciplinary model for investigating the tolerance of ambiguity across cultures and eras.

The Committee of "Madras Lectures on Islam" has great pleasure in presenting to the public the second series of Lectures delivered at Madras in January last by Mr- Muhammad Marmaduke Pickthall on "the Cultural Side of Islam-" In October 1925 the first series of Lectures was delivered in Urdu by Moulana Syed Suleiman Sahib Nadvi on "The Life of the Holy Prophet" which has been published- In the lectures on Islamic Culture Mr- Pickthall has vividly portrayed the true picture of Islam and has clearly described the causes for the rise and decline of Islamic Culture. These lectures, resplendent with important quotations from the Holy Quran and the Tradition of the Holy Prophet breathe the real spirit of Islam appealing both to the soul and the intellect. The Committee feels that the lectures, when read by the public will not only be appreciated, but will really serve the great need of understanding the true Islamic Religion.