This book presents a cross-cultural approach to the study of urban space. Essays written by major contributors in contemporary urban studies provide a range of case studies from Asia, Latin America, North America, and Europe to address important questions about space and power, processes of change, aesthetics and attitudes toward space, and social divisions expressed through urban life. The essays fall into three interlocking sections: conceptual and linguistic approaches to urban space; visual and social examinations of world cities; and policy examinations of spatial analyses. Together with the jointly compiled bibliography, this collection of essays is designed to stimulate comparative debate and identify new areas for urban research. Essays contrast empty space in Barcelona and Savannah, explore the concept of healthy and unhealthy urban environments in the classical writings and in modern-day Vienna, and develop a model of space for Shanghai from the point of view of privacy. The subcultural ethos characterizing Tokyo and the castle as a symbol for the community in Japan are two more essay topics. The plaza in Spanish-American towns, the outdoor spaces in Italy (balcony, street, courtyard), and the school in Honduras are sites for socio-cultural analyses in three more essays. The last group of essays focus on discourses in urban planning, especially the responses of people to the growth, marketing, and decay of residential places. African-American neighborhoods and waterfront development provide examples for this section. These essays in their theoretical and geographical breadth make significant strides in defining the cultural meaning of urban space. They will be read with interest by city planners, ecologists, and other social scientists involved in finding human solutions to the metropolitan environment.

From the verticals of New York, Hong Kong and Singapore to the sprawls of London, Paris and Jakarta, this interdisciplinary volume of new writing examines constructions, representations, imaginations and theorizations of 'cityscapes' in modern and contemporary culture. With specially-commissioned essays from the fields of cultural theory, architecture, film, literature, visual art and urban geography, it offers fresh insight into the increasingly complex relationship between urban space, cultural production and everyday life. This volume draws on critical urban studies and moves beyond familiar cultural representations of the city by considering urban planning and architecture. Organized under three inter-related themes - image, text and form - essay topics range from the examination of cyberpunk skylines, pagan urbanism and the cinema of urban disaster, to the analysis of iconic city landmarks such as the twin towers, the London Eye and the Judisches Museum Berlin. Covering a diverse range of cities, including Berlin, Chicago, Jakarta, Johannesburg, Hong Kong, London, Los Angeles, Paris, and Venice, this fantastic resource for students, scholars and researchers alike, works expertly at the intersections of visual, material, and literary culture.

As the world’s urban populations grow, cities become spaces where increasingly diverse peoples negotiate such differences as language, citizenship, ethnicity and race, class and wealth, and gender. Using a comparative framework, Urban Diversity examines the multiple meanings of inclusion and exclusion in fast-changing urban contexts. The contributors identify specific areas of contestation, including public spaces and facilities, governmental structures, civil society institutions, cultural organizations, and cyberspace. The contributors also explore the socioeconomic and cultural mechanisms that can encourage inclusive pluralism in the world’s cities, seeking approaches that view diversity as an asset rather than a threat. Exploring old and new public spaces, practices of marginalized urban dwellers, and actions of the state, the contributors to Urban Diversity assess the formation and reformation of processes of inclusion, whether through deliberate actions intended to rejuvenate democratic political institutions or the spontaneous reactions of city residents.

Offers an innovative, interdisciplinary approach which opens up new ways of understanding urban culture and space. The author approaches the city as essentially a 'material' place where people live, work, and participate in social practices within historical limits set not by sensory experience or cultural meanings but material social conditions.

This innovative study looks at the formation of ethnic and racial identities in relation to the development of urban culture. The concept of urban space provides the means of organization for comprehensive illustrations of a series of themes, including white paranoia and urban decline; imagined urban communities; urban crime and justice; the racialized underclass; globalization; and new ethnicities. Race and Urban Space in American Culture focuses on a wide range of contemporary film and literature (including works by African-American, Irish-American, Hispanic, Puerto Rican, and Iranian-American authors), and examines the ways in which representations of urban space define issues of rights, community and citizenship.

When designing, planning and building urban spaces, many contradictory and conflicting actors, practices and agendas coexist. This book propounds that, at present, this process is conducted in an artificial reality, 'Concept City', characterized by a simplified and outdated conception of space. It provides a constructive critique of the concepts, underlying the practices of planning and architecture and, in order to facilitate more dynamic, inclusive and subtle practices, it formulates a new theory about space in general and public urban space in particular. The central notions in this theory are temporality, experiment and conflict, which are grounded on empirical observations in Helsinki, Manchester and Berlin. While the book contextualizes Lefebvre's ideas on urban planning and architecture, it is in no way limited to Lefebvrean discourse, but allows insights to new theoretical work, including that of Finnish and Swedish authors. In doing so, it suggests and develops exciting new approaches and tools leading to 'experiential urbanism'.

This interdisciplinary book considers national identity through the lens of urban spaces. By bringing together scholars from a range of disciplines, The City as Power provides broad comparative perspectives about the critical importance of urban landscapes as forums for creating, maintaining, and contesting identity and belonging. Rather than serving as passive backdrops, urban spaces and places are active mediums for defining categories of inclusion—and exclusion. With an international scope and ready appeal to visual learners, the book offers a compelling survey of historical and contemporary efforts to enact state ideals, express counter-narratives, and negotiate global trends in cities. The contributors show how successive regimes reshape cityscapes to mirror their respective socio-political agendas, perspectives on history, and assumptions of power. Yet they must do so within the legal, ethnic, religious, social, economic, and cultural geographies inherited from previous regimes. Exploring the rich diversity of urban space, place, and national identity, the book compares core elements of identity projects in a range of political, cultural, and socioeconomic settings. By focusing on the built form and urban settings for social movements, protest, and even organized violence, this timely book demonstrates that cities are not simply lived in but also lived through.