St Katherine of Alexandria was one of the most popular saints in both the Orthodox and Latin Churches in the later Middle Ages, yet there has been little study of how her cult developed before c. 1200. This book redresses the balance, providing a thorough examination of the way the cult spread from the Greek-speaking lands of the Eastern Mediterranean and into Western Europe. The author uses the full range of source material available, including liturgical texts, hagiographies, chronicles and iconographical evidence, bringing together these often disparate sources to map the way in which the cult of St Katherine grew from its early stages in the Byzantine Empire up to c.1100, its transmission to Italy, and the introduction and development of the cult in Normandy and England up to c.1200. The book also includes appendices listing early manuscripts containing Katherine's Passio and including key original texts on St Katherine of the period. This study will be welcomed by scholars of medieval history and the history of medieval art, and as a case-study for all those with an interest in the development of medieval saint's cults.

Katherine of Alexandria was a major object of devotion within medieval Europe, ranking second only to the Virgin Mary in the canon of female saints. Yet despite her undoubted importance, relatively little is known about the significance and function of her cult within the German-speaking territories that stood at the heart of Europe. Anne Simon's study adds a welcome new interdisciplinary perspective to the study of Saint Katherine and the wider ecclesiastical landscape of a medieval Europe poised on the edge of religious change. Taking as a case study the wealthy and politically influential merchant city of Nuremberg, this book draws on a wide variety of textual and visual sources to explore interrelated themes: the shaping of urban space through the cult of Saint Katherine; her role in the moulding and advertising patrician identity and alliances through cultural patronage; and patrician use of the saint to showcase the city's political, economic, cultural and religious importance at the heart of the Holy Roman Empire. Further , the book reveals the construction of exemplarity in Saint Katherine's legend and miracles and their resonance within the context of the city and the Dominican Convent of Saint Katherine, whose nuns came from the same status-aware, confident patrician elite that so loyally supported successive Emperors. Filling a significant gap in current research, the work has much to offer scholars of medieval history, hagiography, art history, German studies, cultural and urban studies. Hence it not only expands our understanding of Saint Katherine's importance in German-speaking territories, but also adds to the picture of her cult in its European perspective.

Medievalists from the US and Britain examine evidence of the third- century saint's popularity across Europe throughout the Middle Ages, and suggest some reasons for it. Prominent questions they address are whether she was popular because she was powerful, or powerful because she was popular; and what made her image so much more open than that of other saints to appropriation by such a variety of medieval saints. The ten essays are from international gatherings in Kalamazoo and Leeds in 1999. Distributed in the US by The David Brown Book Company. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

The cult of St Katherine of Alexandria enjoyed great popularity throughout the fourteenth and fifteenth centuries, retaining a wide appeal right up to the Reformation; she appears in a wide variety of contexts, in association with concepts of royal and civic power, by the end of the period becoming identified as a British saint, and acting as a model of the ideal lay Christian and a paradigm of femininity and young womanhood. This study, the first full-scale interdisciplinary examination of a saint's cult in late medieval England, looks at the processes by which she came to have such a prominent place in the devotions of English men and women from across the wide social scale; using written and visual narratives of Katherine's life, in combination with documentary evidence provided by wills, inventories and gild returns, the author shows how devotees perceived and responded to her, and the various religious, social and cultural roles assigned to her. Dr KATHERINE J. LEWIS teaches at the University of Huddersfield.

The first complete translation of a fascinating piece of Czech literature. The virgin martyr St Catherine was one of the pre-eminent and most popular saints in the Middle Ages, her legend spreading far and wide throughout Europe. A Bohemian version of her Vita was written in the second half of the fourteenth century, probably for the court of Emperor Charles IV in Prague; it is a fascinating account of her life and passion, with many unique features. However, partly because of the language barrier, it has received relatively little attention. This book provides the first complete translation of this important text. It is accompanied by a full, interdisciplinary introduction, which places the legend in its cultural and historical context, and emphasizes both the importance of the Dominican friars as court writers and the prominence of royal and noble women as patrons and consumers of their work. It also highlights the numerous representations of Catherine in contemporary art. Meanwhile, elucidatory notes to the translation illuminate its most important features.

How and why did a medieval female saint from the Eastern Mediterranean come to be such a powerful symbol in early modern Rome? This study provides an overview of the development of the cult of Catherine of Alexandria in Renaissance Rome, exploring in particular how a saint's cult could be variously imaged and 'reinvented' to suit different eras and patronal interests. Cynthia Stollhans traces the evolution of the saint's imagery through the lens of patrons and their interests-with special focus on the importance of Catherine's image in the fashioning of her Roman identity-to show how her imagery served the religious, political, and/or social agendas of individual patrons and religious orders.

Exactly 450 years after the solemn closure of the Council of Trent on 4 December 1563, scholars from diverse regional, disciplinary and confessional backgrounds convened in Leuven to reflect upon the impact of this Council, not only in Europe but also beyond. Their conclusions are to be found in these three impressive volumes. Bridging different generations of scholarship, the authors reassess in a first volume Tridentine views on the Bible, theology and liturgy, as well as their reception by Protestants, deconstructing many myths surviving in scholarship and society alike. They also deal with the mechanisms 'Rome' developed to hold a grip on the Council's implementation. The second volume analyzes the changes in local ecclesiastical life, initiated by bishops, orders and congregations, and the political strife and confessionalisation accompanying this reform process. The third and final volume examines the afterlife of Trent in arts and music, as well as in the global impact of Trent through missions.