It introduces a religious dimension to the study of ethnic identity and globalization in the provinces of the Roman Empire.

Preliminary material /Sharon Kelly Heyob -- HISTORICAL PERSPECTIVES /Sharon Kelly Heyob -- THE ESSENTIAL NATURE OF ISIS /Sharon Kelly Heyob -- ISIS AS PERCEIVED BY WOMEN IN THE GRAECO-ROMAN WORLD /Sharon Kelly Heyob -- THE PARTICIPATION OF WOMEN IN THE CULT OF ISIS /Sharon Kelly Heyob -- MORALITY AND THE CULT OF ISIS /Sharon Kelly Heyob -- CONCLUSIONS /Sharon Kelly Heyob -- INDEX NOMINUM ET RERUM /Sharon Kelly Heyob -- INDEX AUCTORUM ANTIQUORUM /Sharon Kelly Heyob -- INDEX INSCRIPTIONUM /Sharon Kelly Heyob.

Isis and Sarapis in the Roman World deals with the integration of the cult of Isis among Roman cults, the subsequent transformation of Isis and Sarapis into gods of the Roman state, and the epigraphic employment of the names of these two deities independent from their cultic context. The myth that the guardians of tradition and Roman religion tried to curb the cult of Isis in order to rid Rome and the imperium from this decadent cult will be dispelled. A closer look at inscriptions from the Rhine and Danubian provinces shows that most dedicators were not Isiac cult initiates and that women did not outnumber men as dedicators. Inscriptions that mention the two deities in connection with a wish for the well-being of the emperor and the imperial family are of special significance.

The first study to document the extent and complexity of the cult's influence on Graeco-Roman and early Christian culture, R. E. Witt's acclaimed Isis in the Ancient World is now available in paperback Worship of the Egyptian goddess Isis dates as far back as 2500 B.C. and extended at least until the fifth century A.D. throughout the Roman world. The importance of her cult is attested to in Apuleius's Golden Ass, and evidence of its influence has been found in places as far apart as Afghanistan and Portugal, the Black Sea and northern England. The first study to document the extent and complexity of the cult's influence on Graeco-Roman and early Christian culture, R. E. Witt's acclaimed Isis in the Ancient World is now available in paperback.

In Individuals and Materials in the Greco-Roman Cults of Isis Valentino Gasparini and Richard Veymiers present a collection of reflections on the individuals and groups which animated one of Antiquity’s most dynamic, significant and popular religious phenomena: the reception of the cults of Isis and other Egyptian gods throughout the Hellenistic and Roman worlds. These communities, whose members seem to share the same religious identity, for a long time have been studied in a monolithic way through the prism of the Cumontian category of the “Oriental religions”. The 26 contributions of this book, divided into three sections devoted to the “agents”, their “images” and their “practices”, shed new light on this religious movement that appears much more heterogeneous and colorful than previously recognized.

This work serves as an investigation of the Isis cult by tracing its development from Egypt into Greco-Roman society. The origin of the Isis cult is described by using the accounts of Plutarch, Apuleius, and Diodorus before examining the effects of Isis on Egyptian culture. The Isis cult soon overflows into the Greco-Roman world. While this mysterious religion initially encounters opposition, especially since it clashes with Roman patriarchal society, it overcomes these limitations.

This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.