Fans of fantasy/horror writer H.P. Lovecraft must add The Cult of Alien Gods: H.P. Lovecraft and Extraterrestrial Pop Culture to their reading lists.- California BookwatchCombining literary theory, cultural criticism and muckraking, Colavito aims to debunk alternative history...He does a fair job of presenting his case, using a great deal of textual analysis, but believers will dismiss it as yet another attempt to suppress the truth, while those who haven't been immersed in the literature are likely to be bewildered or indifferent...the writing is engaging and the topic intriguing...- Publishers WeeklyNearly half of all Americans believe in the existence of extraterrestrials, and many are also convinced that aliens have visited earth at some point in history. Included among such popular beliefs is the notion that so-called ancient astronauts (visitors from outer space) were responsible for historical wonders like the pyramids. In The Cult of Alien Gods, author Jason Colavito reveals for the first time that the entire genre of ancient astronaut books is based upon fictional horror stories, whose author once wrote that he never wished to mislead anyone.In this entertaining and informative book, Colavito traces the origins of the belief in ancient extraterrestrial visitors to the work of horror writer H. P. Lovecraft (1890-1937). This amazing tale takes the reader through fifty years of pop culture and pseudoscience highlighting such influential figures and developments as Erich von Däniken (Chariots of the Gods), Graham Hancock (Fingerprints of the Gods), Zecharia Sitchin (Twelfth Planet), and the Raelian Revolution. The astounding and improbable connections among these various characters are revealed, along with the disturbing consequences of Lovecraft's little joke for modern science and public knowledge.Beyond documenting Lovecraft's influence on ancient astronaut theories and Raelian cloning efforts, Colavito also argues that the appeal of such modern myths is a troubling sign in an age when science is having its greatest success. He suggests that at the dawn of the 21st century Western society is witnessing a deep-seated erosion of Enlightenment values that are the basis of the modern world.Jason Colavito is a freelance writer and editor who has written for Skeptic magazine, among other publications.

In the second century, Platonist and Judeo-Christian thought were sufficiently friendly that a Greek philosopher could declare, "What is Plato but Moses speaking Greek?" Four hundred years later, a Christian emperor had ended the public teaching of subversive Platonic thought. When and how did this philosophical rupture occur? Dylan M. Burns argues that the fundamental break occurred in Rome, ca. 263, in the circle of the great mystic Plotinus, author of the Enneads. Groups of controversial Christian metaphysicians called Gnostics ("knowers") frequented his seminars, disputed his views, and then disappeared from the history of philosophy—until the 1945 discovery, at Nag Hammadi, Egypt, of codices containing Gnostic literature, including versions of the books circulated by Plotinus's Christian opponents. Blending state-of-the-art Greek metaphysics and ecstatic Jewish mysticism, these texts describe techniques for entering celestial realms, participating in the angelic liturgy, confronting the transcendent God, and even becoming a divine being oneself. They also describe the revelation of an alien God to his elect, a race of "foreigners" under the protection of the patriarch Seth, whose interventions will ultimately culminate in the end of the world. Apocalypse of the Alien God proposes a radical interpretation of these long-lost apocalypses, placing them firmly in the context of Judeo-Christian authorship rather than ascribing them to a pagan offshoot of Gnosticism. According to Burns, this Sethian literature emerged along the fault lines between Judaism and Christianity, drew on traditions known to scholars from the Dead Sea Scrolls and Enochic texts, and ultimately catalyzed the rivalry of Platonism with Christianity. Plunging the reader into the culture wars and classrooms of the high Empire, Apocalypse of the Alien God offers the most concrete social and historical description available of any group of Gnostic Christians as it explores the intersections of ancient Judaism, Christianity, Hellenism, myth, and philosophy.

***TOP TEN SELECTION FOR BOOKLIST BEST OF HORROR 2016*** The Gods of H.P. Lovecraft: a brand new anthology that collects the twelve principal deities of the Lovecraftian Mythos and sets them loose within its pages. Featuring the biggest names in horror and dark fantasy, including many NY Times bestsellers, full of original fiction and artwork, and individual commentary on each of the deities by Donald Tyson. About the book: Lovecraft's bestiary of gods has had a major influence on the horror scene from the time these sacred names were first evoked. Cthulhu, Azathoth, Nyarlathotep, Yog-Sothoth--this pantheon of the horrific calls to mind the very worst of cosmic nightmares and the very darkest signs of human nature. The Gods of H.P. Lovecraft brings together twelve all-new Mythos tales from: Cthulhu (Adam Nevill) - Yog-Sothoth (Martha Wells) - Azathoth (Laird Barron) - Nyarlathotep (Bentley Little) - Shub-Niggurath (David Liss) - Tsathoggua (Brett Talley) - The Mi-Go (Christopher Golden & James A. Moore) - Night-gaunts (Jonathan Maberry) - Elder Things (Joe Lansdale) - Great Race (Rachel Caine) - Yig (Douglas Wynne) - The Deep Ones (Seanan McGuire)

In the desert, you see, there is everything and nothing . . . It is God without men. —Honoré de Balzac, Une passion dans le désert, 1830 Jaz and Lisa Matharu are plunged into a surreal public hell after their son, Raj, vanishes during a family vacation in the California desert. However, the Mojave is a place of strange power, and before Raj reappears inexplicably unharmed—but not unchanged—the fate of this young family will intersect with that of many others, echoing the stories of all those who have traveled before them. Driven by the energy and cunning of Coyote, the mythic, shape-shifting trickster, Gods Without Men is full of big ideas, but centered on flesh-and-blood characters who converge at an odd, remote town in the shadow of a rock formation called the Pinnacles. Viscerally gripping and intellectually engaging, it is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe. This eBook edition includes a Reading Group Guide.

It is often unacknowledged how deep a debt modern ancient astronaut theorists owe to the nineteenth-century Theosophical movement, a Victorian-era amalgam of Spiritualism, Eastern religions, and good old-fashioned hokum. The Theosophists proposed that beings from Venus and other planets visited earth in the deep past and were responsible for ancient ruins and the foundations of religion. This book presents early texts from noted Theosophists and those who encountered Theosophy, covering the beings from other worlds that came to the ancient earth to "civilize our planet." These texts provide an interesting window into the origins of the modern ancient astronaut theory and demonstrate just how much the talking heads of cable TV and the modern authors of alternative history owe to the pioneering work of the nineteenth- and early twentieth-century occultists. This volume features W. Scott-Elliot's complete The Lost Lemuria and H. P. Blavatsky's Stanzas of Dzyan among other selections.

Technology of the Gods lays out the mind-bending evidence that long-lost civilizations had attained and even exceeded our "modern" level of advancement. Westerners have been taught that humankind has progressed along a straight-line path from the primitive past to the proficient present, but the hard, fast evidence (literally written in stone!) proves that the ancients had technologies we cannot even replicate today.