Mothers and daughters. Sisters. Legacies and prophecies. The inevitable and the avoidable. The sixteen stories of Weird fiction and horror in The Cuckoo Girls, Patricia Lillie’s debut collection, feature female protagonists of various ages. Young or old, they must deal with the expectations of their twisted worlds. Some can’t escape their fate, some accept it—and some will burn it down. “Lillie makes the unreal feel all too possible…. This grim, witchy collection will grab anyone looking for a subtle fright.” —Publishers Weekly

“Full of rich language that is reminiscent of an old fairy tale. . . . [a] spine-chilling, creative work [and] a well-wrought fantasy.” —School Library Journal (starred review) Following a mysterious incident that leaves her feverish and sopping wet, Triss awakens to a world that’s eerily off-kilter. Her memories are muddled, her sister despises her, and when she brushes her hair, out come crumbled fragments of leaves. Is she going mad? Or has she endured a nightmarish chain of events? Is this related to the illnesses she’s had since her brother died in the Great War? And why is she so hungry? In her search for the truth, Triss ventures from the shelter of her parents’ protective wings into the city’s underbelly. There she encounters strange creatures whose grand schemes could forever alter the fates of her family, in an unnerving tale of one girl’s struggle to confront her darkest fears. “Few authors can evoke a twinned sense of terror and wonder better . . . Vivid, frightening, and inventive, with narrative twists and turns. . . . A piercing, chilling page-turner.” —Booklist (starred review) “Nuanced and intense.” —Kirkus Reviews (starred review) “Quiet but elegant prose moves the story seamlessly from an effectively creepy horror tale to a powerful, emotionally resonant story of regret and forgiveness.” —Bulletin of the Center for Children’s Books (starred review) “Gorgeously written and disconcerting . . . Hardinge delves deeply into the darker side of family life.” —Publishers Weekly (starred review) “Cuckoo Song transcends its teen-reader designation. The psychological and historical nuances . . . will mesmerize older readers as well.” —BookPage

A reunion between childhood friends stirs up the traumas of the past—and poses a threat in the present . . . As a young, deeply insecure girl, Karen was targeted, and traumatized, by her friend Sandra’s father. Now, decades later, he is dead—and Karen has been reunited with Sandra, whom she hasn’t seen in ages. Against her better judgment, she agrees to meet Sandra at a nearby restaurant, and Sandra proves to be just as thoughtless and self-absorbed as she was back when the two of them and their friend Yvonne were attending school dances together. Karen has a husband and children now, and they live in a beautiful home thanks to a successful family business. Sandra is supposed to be in town only temporarily, so Karen tolerates her excessive drinking and intrusive questions. But things become more difficult as her life starts to go awry—and as this taut, unsettling novel moves between past and present, secrets come to the surface and both women will come to understand the true cost of betrayal . . .

Mothers and daughters. Sisters. Legacies and prophecies. The inevitable and the avoidable. The sixteen stories in Patricia Lillie's debut collection feature female protagonists of various ages. Young or old, they must deal with the expectations of their twisted worlds. Some can't escape their fate, some accept it-and some will burn it down.

An annual anthology of strange and darksome tales, which this year profiles the work of 21 contemporary scribes: V.H. Leslie, J.T. Glover, Joanna Parypinski, Steve Rasnic Tem, L.S. Johnson, Daniel Braum, M. Lopes da Silva, Mathew Allan Garcia, April Steenburgh, Charles Wilkinson, Farah Rose Smith, Armel Dagorn, Cate Gardner, Jackson Kuhl, Christi Nogle, Ross Smeltzer, Jennifer Loring, Tim Jeffreys, Elana Gomel, Mike Weitz, Kirsty Logan. "A very promising anthology." -Ellen Datlow, Best Horror of the Year "An annual highlight of the genre." -Anthony Watson, Dark Musings "Weirdness with truth at its heart." -Des Lewis, Real-Time Reviews

On the New York Times bestseller list for over 20 weeks * A New York Times Notable Book * A National Book Award Finalist * Named a Best Book of the Year by Fresh Air, Time, Entertainment Weekly, Associated Press, and many more “If you’re looking for a superb novel, look no further.” —The Washington Post From the Pulitzer Prize–winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a “wildly inventive, a humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (The New York Times Book Review). Among the most celebrated and beloved novels of recent times, Cloud Cuckoo Land is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope, and a book. In the 15th century, an orphan named Anna lives inside the formidable walls of Constantinople. She learns to read, and in this ancient city, famous for its libraries, she finds what might be the last copy of a centuries-old book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. Outside the walls is Omeir, a village boy, conscripted with his beloved oxen into the army that will lay siege to the city. His path and Anna’s will cross. In the present day, in a library in Idaho, octogenarian Zeno rehearses children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. Anna, Omeir, Seymour, Zeno, and Konstance are dreamers and outsiders whose lives are gloriously intertwined. Doerr’s dazzling imagination transports us to worlds so dramatic and immersive that we forget, for a time, our own.

The autobiography of a girl who was incarcerated in a state mental hospital at age 12, and her adult self-reconciling of that experience through her professional lens as a trauma therapist.