The cub without a mane is a children’s empowerment story book. It is based on a lion cub who’s pride and possession is his wild curly mane and of course his magnificent roar. Cub falls poorly and comes to learn that he has leukaemia which causes him to feel rather unwell. Whilst the doctors have him on the mend cub loses his head of curly locks and worries that he won’t be liked by his friends…and most importantly to him be able to roar anymore.

Alone with a book Johnny Lion is home alone with his new books, The Little Lion. The book is about a lion cub who is on his own one day, just like Johnny. But, unlike Johnny Lion, this cub walks out into the world alone--and into lots of trouble!

In Proverbs and the African Tree of Life Dorothy BEA Akoto-Abutiate juxtaposes chosen sayings from Proverbs and selected Ewe Folk proverbs using the agricultural metaphor of “grafting,” which she calls a “hermeneutic of grafting.” Though these two sets of sayings come from completely different cultural contexts, Akoto argues that folk sayings/proverbs, which abound in Africa, should be considered as an already mature, established tree on to which a piece of the biblical tree is spliced or engrafted to produce hybridized fruits that have uniquely different tastes than the fruits of each tree individually. This metaphorical grafting process allows the message of the Bible (in Proverbs) to be understood, imbibed and appropriated in Africa.

Mommy and daughter duo...telling stories our way. Hope you enjoy!!

In this commentary, Thomas Renz reads Nahum, Habakkuk, and Zephaniah as three carefully crafted writings of enduring relevance, each of which makes a vital contribution to the biblical canon. Discussing the historical settings, Renz takes up both long-standing issues, such as the relationship of Zephaniah to Josiah’s reforms, and the socioeconomic conditions of the time suggested by recent archaeological research. The place of these writings within the Book of the Twelve is given fresh consideration, including the question of what one should make of the alleged redaction history of Nahum and Habakkuk. The author’s careful translation of the text comes with detailed textual notes, illuminating some of the Bible’s most outstanding poetry (Nahum) and one of the biblical chapters that is among the most difficult to translate (Habakkuk 3). The thorough verse-by-verse commentary is followed by stimulating theological reflection, opening up avenues for teaching and preaching from these prophetic writings. No matter their previous familiarity with these and other Minor Prophets, scholars, pastors, and lay readers alike will find needed guidance in working through these difficult but important books of the Bible.

As part of its program to promote democracy in Japan after World War II, the American Occupation, headed by General Douglas MacArthur, undertook to enforce rigid censorship policies aimed at eliminating all traces of feudal thought in media and entertainment, including kabuki. Faubion Bowers (1917-1999), who served as personal aide and interpreter to MacArthur during the Occupation, was appalled by the censorship policies and anticipated the extinction of a great theatrical art. He used his position in the Occupation administration and his knowledge of Japanese theatre in his tireless campaign to save kabuki. Largely through Bowers's efforts, censorship of kabuki had for the most part been eliminated by the time he left Japan in 1948. Although Bowers is at the center of the story, this lively and skillfully adapted translation from the original Japanese treats a critical period in the long history of kabuki as it was affected by a single individual who had a commanding influence over it. It offers fascinating and little-known details about Occupation censorship politics and kabuki performance while providing yet another perspective on the history of an enduring Japanese art form. Read Bowers' impressions of Gen. MacArthur on the Japanese-American Veterans' Association website.