A careful study of Christian origins and detailed analysis of all the canonical, apocryphal and Gnostic Gospels in which Mary Magdalene appears. Considered the first apostle of Christianity by early Christians, the author explains why the patriarchs of the early church found it necessary, instead, to reinvent Mary as a wanton woman, rather than Jesus' most favored disciple.

Waiting to be rediscovered in the British Library is an ancient manuscript of the early Church, copied by an anonymous monk. The manuscript is at least 1,450 years old, possibly dating to the first century. And now, The Lost Gospel provides the first ever translation from Syriac into English of this unique document that tells the inside story of Jesus’ social, family, and political life.The Lost Gospel takes the reader on an unparalleled historical adventure through a paradigm shifting manuscript. What the authors eventually discover is as astounding as it is surprising: the confirmation of Jesus’ marriage to Mary Magdalene; the names of their two children; the towering presence of Mary Magdalene; a previously unknown plot on Jesus’ life (thirteen years prior to the crucifixion); an assassination attempt against Mary Magdalene and their children; Jesus’ connection to political figures at the highest level of the Roman Empire; and a religious movement that antedates that of Paul—the Church of Mary Magdalene.Part historical detective story, part modern adventure, The Lost Gospel reveals secrets that have been hiding in plain sight for millennia.

*Includes pictures *Includes Gospel passages and apocryphal passages *Includes online resources and a bibliography for further reading "After that, Jesus traveled about from one town and village to another. The Twelve were with him, and also some women who had been cured of evil spirits and diseases: Mary (called Mary Magdalene) from whom seven demons had come out-and many others. These women were helping to support them out of their own means." - Luke 8:1-3 Mary Magdalene is one of the most talked about figures in modern Christianity, a woman who mainstream media and modern sensibilities can hold with more conviction. The media, press, movie industry, and airport literature have been obsessed with this redhead for more than 100 years, a fascination that reached its climax in the first decade of this century, and does not seem likely to end any time soon. Mary Magdalene is frequently depicted as young and attractive, liberated and intelligent, a symbol of a freer spirituality, and not controlled by a male-dominated church. In the minds of many, she embodies opposition to a system dominated by old men in white cassocks, the "sacred feminine." As if that is not enough, she has the best bachelor in the world: Jesus Christ himself. The French-made, fair-haired Mary Magdalene who appears in innumerable works of medieval and modern art with a red robe, a symbol of rebellion and freedom (although in the Middle Ages the intention was to show her as a loose woman), is a creation of the Western Church and, more recently, the media. It is a depiction laden with centuries of intertextual struggles, patronizing homilies, medieval legends, novels looking for bestseller status, and documentaries for cable television. But there was a historical Mary Magdalene, a woman named Miriam (Hebrew for Mary) born in Galilee in the time of King Herod, and she died, most likely in present-day Turkey, when Christianity was only a variant of Judaism. Mary Magdalene would not recognize herself in modern portraits or the perception the average Christian of the last 1500 years has of her. If there has been a search for the historical Jesus since the 18th century, the real man who walked in the hills of Galilee and died on a cross in Jerusalem, a similar quest is necessary for the historical Mary Magdalene, but not out of mere curiosity, because she is important in the narrative of Jesus's life. If the early sources are accurate, Mary of Magdala was the first Christian in history, and the first to announce the fundamental kerygma of early Christianity: Jesus is risen! Despite the shortage of information, there are a few certain facts historians know about Mary Magdalene. For example, she was a respected and well-remembered follower of Jesus, one of the female disciples who supported the movement of the Galilean preacher. Some scholars studying the gospels believe that Mary Magdalene was an elderly woman and probably well-to-do, if not wealthy. "For all we know," opines E.P. Sanders in The Historical Figure of Jesus, "she was eighty-six, childless, and keen to mother unkempt young men." She not only remained by Jesus side in his darkest hour, the crucifixion, she also had a strange experience at Jesuss tomb on Easter morning. The gospels disagree on the details, but not in the fact that it happened to her. Mary Magdalene: The Life and Legacy of the Woman Who Witnessed the Crucifixion and Resurrection of Jesus examines what is known and unknown about one of the Bible's most famous figures. Along with pictures depicting important people, places, and events, you will learn about Mary Magdalene like never before.

Italian philosopher and researcher Carla Ricci addresses an overlooked but significant presence in the Gospels--that of the women who followed Jesus. Citing Luke 8:1-3, Ricci describes a group of women who unswervingly followed Jesus from Galilee to Jerusalem, through his passion and death, to become messengers of the resurrection.

From the Publisher: Bart Ehrman, author of the bestsellers Misquoting Jesus and Truth and Fiction in The Da Vinci Code, here takes readers on another engaging tour of the early Christian church, illuminating the lives of three of Jesus' most intriguing followers: Simon Peter, Paul of Tarsus, and Mary Magdalene.

New York Times Bestseller. With just the right mixture of humor and insight, compassion and incredulity, A Year of Biblical Womanhood is an exercise in scriptural exploration and spiritual contemplation. What does God truly expect of women, and is there really a prescription for biblical womanhood? Come along with Evans as she looks for answers in the rich heritage of biblical heroines, models of grace, and all-around women of valor. What is "biblical womanhood" . . . really? Strong-willed and independent, Rachel Held Evans couldn't sew a button on a blouse before she embarked on a radical life experiment--a year of biblical womanhood. Intrigued by the traditionalist resurgence that led many of her friends to abandon their careers to assume traditional gender roles in the home, Evans decides to try it for herself, vowing to take all of the Bible's instructions for women as literally as possible for a year. Pursuing a different virtue each month, Evans learns the hard way that her quest for biblical womanhood requires more than a "gentle and quiet spirit" (1 Peter 3:4). It means growing out her hair, making her own clothes, covering her head, obeying her husband, rising before dawn, abstaining from gossip, remaining silent in church, and even camping out in the front yard during her period. See what happens when a thoroughly modern woman starts referring to her husband as "master" and "praises him at the city gate" with a homemade sign. Learn the insights she receives from an ongoing correspondence with an Orthodox Jewish woman, and find out what she discovers from her exchanges with a polygamist wife. Join her as she wrestles with difficult passages of scripture that portray misogyny and violence against women.

Mary Magdalene is a larger figure than any text, larger than the Bible or the Church; she has taken on a life of her own. She has been portrayed as a penitent whore, a wealthy woman, Christ's wife, an adulteress, a symbol of the frailty of women and an object of veneration. And, to this day, she remains a potent and mysterious figure. In the manner of a quest, this book follows Mary Magdalene through the centuries, explores how she has been reinterpreted for every age, and examines what she herself reveals about woman and man and the divine. It seeks the real Mary Magdalene in the New Testament and in the Gnostic gospels where she is extolled as the chief disciple of Christ. It investigates how and why the Church recast her as a fallen woman, it traces her story through the Renaissance when she became a goddess of beauty and love, and it looks at Mary Magdalene as the feminist icon she has become today.