The Crown Of Life (1899).George Gissing was an English novelist, who wrote twenty-three novels between 1880 and 1903. Although his early works are naturalistic, he developed into one of the the most accomplished realists of the late-Victorian era. Born in Wakefield, Yorkshire, to lower-middle class parents, Gissing went on to win a scholarship to Owens College, the present day University of Manchester. A brilliant student, he excelled at university, winning many coveted prizes, including the Shakespeare prize in 1875. Between 1891 and 1897 (his so-called middle period) he produced his best works, which include New Grub Street, Born in Exile, The Odd Women, In the Year of Jubilee, and The Whirlpool. The middle years of the decade saw his reputation reach new heights: by some critics he is counted alongside George Meredith and Thomas Hardy as one of the best three novelists of his day. He also enjoyed new friendships with fellow writers such as Henry James, and H.G. Wells, and came into contact with many other up and coming writers such as Joseph Conrad and Stephen CraneGissing was born on 22 November 1857 in Wakefield, Yorkshire, the eldest of five children of Thomas Waller Gissing, who ran a chemist's shop, and Margaret n�e Bedford. His siblings were: William, who died aged twenty; Algernon, who became a writer; Margaret; and Ellen. His childhood home in Thompson's Yard, Wakefield, is maintained by The Gissing Trust.Gissing was educated at Back Lane School in Wakefield, where he was a diligent and enthusiastic student. His serious interest in books began at the age of ten when he read The Old Curiosity Shop by Charles Dickens and subsequently, encouraged by his father and inspired by the family library, his literary interest grew. Juvenilia written at this time was published in 1995 in The Poetry of George Gissing. He was also skilled at drawing. Gissing's father died when he was 12 years old, and he and his brothers were sent to Lindow Grove School at Alderley Edge in Cheshire, where he was a solitary student who studied hard.In 1872, after an exceptional performance in the Oxford Local Examinations, Gissing won a scholarship to Owens College, forerunner of the University of Manchester. There he remained solitary, continued his intense studies, and won many prizes, including the Poem Prize in 1873 and the Shakespeare scholarship in 1875.Gissing's academic career ended in disgrace when he fell in love with a young woman Marianne Helen Harrison, known as Nell. She is often described as a prostitute, but there is no evidence for this. It is reported that he gave her money in an attempt to keep her off the streets, but, again, there is no evidence. What is known, is that when he ran short of money he stole from his fellow students. The college hired a detective to investigate the thefts, and Gissing was prosecuted, found guilty, expelled and sentenced to a month's hard labour in Belle Vue Gaol, Manchester in 1876.

George Robert Gissing22 November 1857 - 28 December 1903) was an English novelist who published 23 novels between 1880 and 1903. Gissing also worked as a teacher and tutor throughout his life. He published his first novel, Workers in the Dawn, in 1880. His best known novels, which are published in modern editions, include The Nether World (1889), New Grub Street (1891), and The Odd Women (1893).Gissing was born on 22 November 1857 in Wakefield, Yorkshire, the eldest of five children of Thomas Waller Gissing, who ran a chemist's shop, and Margaret n�e Bedford. His siblings were: William, who died aged twenty; Algernon, who became a writer; Margaret; and Ellen. His childhood home in Thompson's Yard, Wakefield, is maintained by The Gissing Trust.

Critics regard George Gissing as one of the most important writers of the Victorian era. Over the course of his career, he emerged as one of the most significant innovators in the literary genre of realism. In The Crown of Life, one of his later works, Gissing explores human relationships, and in particular, marriage, with the keen eye for detail and piercing insight that are his hallmarks.

This ambitious three-volume biography on Gissing examines both his life and writing both chronologically and in close detail. This final volume in Coustillas’s prodigious biography examines the turbulent last years of the author’s life and his literary afterlife.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

George Gissing's work reflects his observations of fin-de-siècle London life. Influenced by the French naturalist school, his realist representations of urban culture testify to the significance of the city for the development of new class and gender identities, particularly for women. Liggins's study, which considers standard texts such as The Odd Women, New Grub Street, and The Nether World as well as lesser known short works, examines Gissing's fiction in relation to the formation of these new identities, focusing specifically on debates about the working woman. From the 1880s onward, a new genre of urban fiction increasingly focused on work as a key aspect of the modern woman's identity, elements of which were developed in the New Woman fiction of the 1890s. Showing his fascination with the working woman and her narrative potential, Gissing portrays women from a wide variety of occupations, ranging from factory girls, actresses, prostitutes, and shop girls to writers, teachers, clerks, and musicians. Liggins argues that by placing the working woman at the center of his narratives, rather than at the margins, Gissing made an important contribution to the development of urban fiction, which increasingly reflected current debates about women's presence in the city.