Susan Hill meets Wilkie Collins in Alison Littlewood's latest chiller. Mad-doctor Nathaniel is obsessed with the beautiful Mrs Harleston - but is she truly delusional? Or is she hiding secrets that should never be uncovered . . . ? Haunted by his father's suicide, Nathaniel Kerner walks away from the highly prestigious life of a consultant to become a mad-doctor. He takes up a position at Crakethorne Asylum, but the proprietor is more interested in phrenology and his growing collection of skulls than the patients' minds. Nathaniel's only interesting case is Mrs Victoria Adelina - Vita - Harleston: her husband accuses her of hysteria and delusions - but she accuses him of hiding secrets far more terrible. Nathaniel is increasingly obsessed with Vita, but when he has her mesmerised, there are unexpected results. Vita starts hearing voices, the way she used to - her grandmother always claimed they came from beyond the grave - but it also unleashes her own powers of mesmerism . . . and a desperate need to escape. Increasingly besotted, Nathaniel finds himself caught up in a world of séances and stage mesmerism in his bid to find Vita and save her. But constantly hanging over him is this warning: that doctors are apt to catch the diseases with which they are surrounded - whether of the body or the mind . . . '[An] enjoyable excursion . . . gripping' The Sunday Times

Susan Hill meets Wilkie Collins in Alison Littlewood's latest chiller. Mad-doctor Nathaniel is obsessed with the beautiful Mrs Harleston - but is she truly delusional? Or is she hiding secrets that should never be uncovered . . . ? Haunted by his father's suicide, Nathaniel Kerner walks away from the highly prestigious life of a consultant to become a mad-doctor. He takes up a position at Crakethorne Asylum, but the proprietor is more interested in phrenology and his growing collection of skulls than the patients' minds. Nathaniel's only interesting case is Mrs Victoria Adelina - Vita - Harleston: her husband accuses her of hysteria and delusions - but she accuses him of hiding secrets far more terrible. Nathaniel is increasingly obsessed with Vita, but when he has her mesmerised, there are unexpected results. Vita starts hearing voices, the way she used to - her grandmother always claimed they came from beyond the grave - but it also unleashes her own powers of mesmerism . . . and a desperate need to escape. Increasingly besotted, Nathaniel finds himself caught up in a world of séances and stage mesmerism in his bid to find Vita and save her. But constantly hanging over him is this warning: that doctors are apt to catch the diseases with which they are surrounded - whether of the body or the mind . . . '[An] enjoyable excursion . . . gripping' The Sunday Times

Tells the story of a child's first birding expedition on a golden autumn day.

In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.

Offers insight into crows' ability to make tools and respond to environmental challenges, explaining how they engage in human-like behaviors, from giving gifts and seeking revenge to playing and experiencing dreams.

As this enthralling epic nears its climax, the young heroine’s brother discovers his own hidden gift — and the role he must play in battling the Dark. Hem is a weary orphan whose struggle for survival ends when he is reunited with his lost sister, Maerad. But Maerad has a destiny to fulfill, and Hem is sent to the golden city of Turbansk, where he learns the ways of the Bards and befriends a mysterious white crow. When the forces of the Dark threaten, Hem flees with his protector, Saliman, and an orphan girl named Zelika to join the Light’s resistance forces. It is there that Hem has a vision and learns that he, too, has a part to play in Maerad’s quest to solve the Riddle of the Treesong. As The Crow continues the epic tale begun with The Naming and The Riddle, Alison Croggon creates a world of astounding beauty overshadowed by a terrifying darkness, a world where Maerad and Hem must prepare to wage their final battle for the Light.

Describes the gardening methods used by the agriculturally minded Mandan and Hidatsa, as well as those of numerous other tribes not associated with gardening, such as the Comanche. Includes Native American songs and stories.