The book gives an account of various movements in art and their relation to the visual and in churches and in liturgy, for example the Franciscan movement, different approaches to the crucifixion, and the restoration of creation. It recovers the links between the cross and creation, and relates the baptismal covenant to a commitment to care for creation.

In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which simultaneously commemorates sacred history, functions in the present, and prepares for the end of time. It is well recognized that the visual attributes of the cross were designed to communicate its theology relative to history and eschatology; Kitzinger argues that early medieval artists also developed a formal language to articulate its efficacious powers in the present day. Defined through form and text as the sign of the present, the image of the cross articulated the instrumentality of religious objects and built spaces. Whereas medieval and modern scholars have pondered the theological problems posed by representation, Kitzinger here proposes a visual argument that affirms the self-reflexive value of art works in the early medieval West. Introducing little-known sources, she re-evaluates both the image of the cross and the project of book-making in an expanded field of Carolingian painting.

"First published in the United Kingdom in 2013 by the Society for Promoting Christian Knowledge"--Title page verso.

The T&T Clark Handbook of the Doctrine of Creation provides an expansive range of resources introducing the doctrine of creation as understood in Christian traditions. It offers an examination of: how the Bible and various Christian traditions have imagined creation; how the doctrine of creation informs and is informed by various dogmatic commitments; and how the doctrine of creation relates to a range of human concerns and activities. The Handbook represents a celebration of, fascination with, bewilderment at, lament about, and hope for all that is, and serves as a scholarly, innovative, and constructive reference for those interested in attending to what Christian belief has to contribute to thinking about and living with the mysterious existence named 'creation'.

A Time for Creation encourages us to praise God for his creation, take responsibility for our actions, repent of our misuse of natural resources and hear the voice of creation itself in our prayer. Drawing together texts from Common Worship with newly commissioned material, it offers liturgies for all times and occasions when there is a focus on creation - in daily prayer, services of the word, school assemblies, eucharistic celebrations and seasonal services to mark the agricultural year. It has been compiled by the Liturgical Commission of the Church of England and is designed to provide its parishes, schools and chaplaincies with a rich selection of resources for worship and prayer.

He lost his wealth. He lost his family. He lost his station.He endured it all . . . too gain EVERYTHING.Roman Commander Placidas was a man of great power and influence. He and his family wanted for little, yet he knew there had to be more to life. Once baptized into the Christian faith as Eustathius, he faced trials beyond anything he had ever experienced on the battlefield. His faith was challenged, but that same faith gained him eternal life. Meet this great man in Ancient Faith Publishing's first graphic novel--the first in our Among the Saints series--written to inspire both children and adults.

How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.