This collection brings together selected critical literature on modernist writer Katherine Mansfield from 1911 to 1988.

Katherine Mansfield was a formidable critic: astute, witty and something more - she had, as Middleton Murry put it, an extraordinary style and critical verve, mastery and 'sureness of touch'. This is the first scholarly edition of her critical writings. A substantial introduction sets the scene for an understanding of Katherine Mansfield's position as a woman writer on the edge of, but never completely accepted by, Bloomsbury; responding to the pressures of the First World War, illness and exile, and attempting to reconcile the facts of life with the truths of fiction. Careful annotation supplies essential information for following the evolution of her ideas - and her art - from 1907 until her death in 1923.

The narration delves on the living and values of a large family in New Zealand. With trivial details of characters such as personality, gestures and attitudes, Mansfield has managed to delve into the psychology of characters and produce individuals that instantly capture attention. A must-read....

Reconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices

Katherine Mansfield's contemporaries knew her primarily as a contributor to magazines and periodicals. In 1922, for instance, Wyndham Lewis described her as âe~the famous New Zealand Mag.-story writer. This book provides the first in-depth study of Mansfield's engagement in periodical culture, examining her contributions to the political weekly The New Age, the avant-garde little magazine Rhythm and the literary journal The Athenaeum. Reading these writings against the editorial strategies and professional cultures of each periodical, Chris Mourant situates Mansfieldâe(tm)s work within networks of production and uncovers the many ways in which she engaged with the writings of others and responded to the political, aesthetic and social contexts of early twentieth-century periodical culture. By examining Mansfieldâe(tm)s ambivalent position as a colonial woman writer working both within and against the London literary establishment, in particular, this book provides a new perspective on Mansfield as a âe~colonial-metropolitan modernistâe(tm) and proto-postcolonial writer. Key Features Foregrounds the original material contexts in which Mansfield produced the majority of her work, emphasising a dialogic or âe~conversationalâe(tm) model for modernism Interrogates Mansfieldâe(tm)s ambivalent self-positioning within English literary circles as a âe~colonial-metropolitan modernistâe(tm) and âe~outsiderâe(tm) Integrates ideas of the recent âe~transnational turnâe(tm) across literary studies into the field of periodical scholarship Examines new archival findings

Katherine Mansfield's non-fiction collected in one volume for the first time

The contributors to this volume approach the World Wars as complex and intertwined crossroads leading to the definition of a new European reality. While assessing the the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories.