Combined here in one volume are two books, The Crisis of Religious Symbolism and Symbolism and Reality. Although published seven years apart, these two works are integral to one another. Symbolism and Reality represents a kind of sabbath rest--its subtitle says "reflection"--after the mighty works of The Crisis of Religious Symbolism, where the deep structures of three hundred years of Western philosophical and cultural development are brought to the surface, analyzed, and made meaningful in the light of what Jean Borella has termed "the metaphysics of the symbol." Together, these two books represent a cleansing and restoration of a Christian vision of the world. Through Jean Borella's witness to the death and resurrection of religious symbolism presented here, we are given entrance to a world renewed in Christ. "Borella's writing shines with wayside jewels of intuition, as well as proceeding with a rich vein of theological reasoning."--Malachi Martin The French Catholic religious philosopher Jean Borella (b. 1930) taught metaphysics and the history of ancient and medieval philosophy at the University of Nancy II until his retirement in 1995. Besides the present works on sacred symbology, he has also written important texts on charity, analogy, Christian gnosis, mystical theology, and sacred exegesis. His latest work is To the Biblical Sources of Metaphysics (2015).

That sacred art scarcely exists today is all too clear. We can perhaps speak of a "religious," but certainly not a sacred art. True sacred art is not sentimental or psychological, but ontological and cosmological in nature. Sacred art cannot be the result of the feelings, fantasies, or even "thought" of the artist--as with most modern art--but rather the translation of a reality largely surpassing the limits of human individuality. Sacred art is precisely a supra-human art. The temple of former times was an "instrument" of recollection, joy, sacrifice, and exaltation. First through the harmonious combination of a thousand crafted symbols, then by offering itself as a receptacle to the symbols of the liturgy. For the temple and the liturgy together constitute a prodigious formula capable of preparing man to become aware of the descent of Grace, of the epiphany of the Spirit in corporeity. It is a matter of urgency, then, to recall what is true in sacred art, especially since in the cultural wasteland of our age signs of resistance to its anarchy and subversion manifest themselves, and a pressing call is felt to recover the traditional conceptions that must form the basis and condition of any restoration. "Through his research into hidden or lost meanings, Jean Hani has revealed and restored to our attention the most 'initiatic' dimensions of the Christian religion." Jean Borella, author of The Secret of the Christian Way, and The Crisis of Religious Symbolism (forthcoming from Angelico Press) Jean Hani (1917-2012), former professor emeritus at the University of Amiens, was the founder of the Centre de Recherche sur l'Antiquit Classique and a frequent contributor to the journal Connaissance des Religions. After writing his PhD thesis on the influence of Egyptian thought upon Plutarch, he produced annotated translations of the latter's writings for the well-known Collection Bud . Later he became known for his mastery of traditional hermeneutics and exegesis, and his broad knowledge in the field of comparative religion. Hani's writing is sensitive to the predicament of those moderns who seek a firm foundation in traditional Christian values, while striving also to integrate into that foundation whatever of value can be salvaged from the contemporary world. His findings were presented in four important works now available from Angelico Press in translation: the present volume, along with Divine Craftsmanship (Preliminaries to a Spirituality of Work), The Divine Liturgy (Insights into its Mystery), and The Black Virgin (A Marian Mystery).

Excerpt from Symbolism in Religion and Literature: Edited and With an Introduction 6. The Broken Center: A Definition of the Crisis of Values in Modern Literature. Nathan A. Scott, Jr. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A prolific writer and author of over 24 books, Rene Guenon was the founder of the Perennialist/Traditionalist school of comparative religious thought. Known for his discourses on the intellectual and spiritual bankruptcy of the modern world, symbolism, tradition, and the inner or spiritual dimension of religion, this book is a compilation of his most important writings. A key component of his thought was the assertion that universal truths manifest themselves in various forms in the world's religions and his writings on Hinduism, Taoism, and Sufism are particularly illuminating in this regard.

"This collection of writings, drawn from a wide variety of sources, reveals the intellectual depth and breadth of the author. The articles include political commentary, cultural critique, literary analysis, extended book reviews, and even a short story by West. All of these are held together by a prophetic Afro-American Christian perspective. The value of this book is that it provides easy access to a significant selection of the author's corpus." --Religious Studies Review (October 1989) "This volume collects over 50 articles, book reviews, and addresses by a Union Seminary theologian . . . . The most eloquent pieces are those in which West explains and interprets his more personally felt tradition of Afro-American Protestantism." -- Library Journal

The Symbolism of the Cross is a major doctrinal study of the central symbol of Christianity from the standpoint of the universal metaphysical tradition, the 'perennial philosophy' as it is called in the West. As Guernon points out, the cross is one of the most universal of all symbols and is far from belonging to Christianity alone. Indeed, Christians have sometimes tended to lose sight of its symbolism of its symbolical significance and to regard it as no more than the sign of a historical event. By restoring to the full spiritual value as a symbol, but without in any way detracting from its historical importance for Christianity, Guenon has performed a task of inestimable importance which perhaps only he, with his unrivaled knowledge of the symbolic languages of both East and West, was qualified to perform.