Critical theorist Aronowitz (sociology, CUNY) contends that the centrality of cultural categories, as raised by the feminist, ecology, and racial freedom movements, among others, provides the crucial difference for the late industrial world, demanding a break from the dominant tendencies of Marxism to reduce causality to its economic features. Acidic paper. Paper edition (unseen), $14.95. Annotation copyrighted by Book News, Inc., Portland, OR

In this provocative and famous book, now substantially revised and with much new material, Stanley Aronowitz lays bare the fundamental logical problems in Marxist theory with respect to nature, gender and race relations, the concept of class, and historical time. Aronowitz has written a stunning book offering an approach towards a new way of thinking about these problems, a book which will be addressed by other Marxist scholars and by students of social and cultural theory in many disciplines.

Now that Soviet style socialism has collapsed upon itself and liberal capitalism offers itself as the natural, necessary and absolute condition of human social life on a worldwide scale, this book insists that the potentially emancipatory resources of a renewed, and perhaps reconstructed, historical materialism are more relevant in today's world than ever before. Rather than viewing global capitalism as an eluctable natural force, these essays seek to show how a dialectic of power and resistance is at work in the contemporary global political economy, producing and contesting new realities and creating conditions in which new forms of collective self determination become thinkable and materially possible. It will be vital, topical reading for anyone interested in international relations, international political economy, sociology and political theory.

Drawing on modern philosophy of science, epistemology, economics and sociology, this work retraces Marx’s original multi-disciplinary project and develops its foundations into a modern Marxist paradigm capable of understanding the present crisis and of challenging contemporary capitalism.

Mikhail Lifshitz is a major forgotten figure in the tradition of Marxist philosophy and art history. A significant influence on Lukács, and the dedicatee of his The Young Hegel, as well as an unsurpassed scholar of Marx and Engels’s writings on art and a lifelong controversialist, Lifshitz’s work dealt with topics as various as the philosophy of Marx and the pop aesthetics of Andy Warhol. The Crisis of Ugliness (originally published in Russian by Iskusstvo, 1968), published here in English for the first time, and with a detailed introduction by its translator David Riff, is a compact broadside against modernism in the visual arts that nevertheless resists the dogmatic complacencies of Stalinist aesthetics. Its reentry into English debates on the history of Soviet aesthetics promises to re-orient our sense of the basic coordinates of a Marxist art theory.

Combining Marxa (TM)s focus upon the totality (and its appearance as capitals in competition) with specific applications in political economy, "Following Marx" demonstrates how the failure to understand Marxa (TM)s method has led astray many who consider themselves Marxists.