The mid-nineteenth century's Crimean War is frequently dismissed as an embarrassment, an event marred by blunders and an occasion better forgotten. In The Crimean War and its Afterlife Lara Kriegel sets out to rescue the Crimean War from the shadows. Kriegel offers a fresh account of the conflict and its afterlife: revisiting beloved figures like Florence Nightingale and hallowed events like the Charge of the Light Brigade, while also turning attention to newer worthies, including Mary Seacole. In this book a series of six case studies transport us from the mid-Victorian moment to the current day, focusing on the heroes, institutions, and values wrought out of the crucible of the war. Time and again, ordinary Britons looked to the war as a template for social formation and a lodestone for national belonging. With lucid prose and rich illustrations, this book vividly demonstrates the uncanny persistence of a Victorian war in the making of modern Britain.

Rescuing the Crimean War from the shadows, Lara Kriegel demonstrates the centrality of a Victorian war to the making of modern Britain.

Winner of the 2021/2022 People's Book Prize Best Achievement Award Homes can be both comforting and troubling places. This timely book proposes a new understanding of Florence Nightingale’s experiences of domestic life and how ideas of home influenced her writings and pioneering work. From her childhood homes in Derbyshire and Hampshire, she visited the poor sick in their cottages. As a young woman, feeling imprisoned at home, she broke free to become a woman of action, bringing home comforts to the soldiers in the Crimean War and advising the British population on the home front how to create healthier, contagion-free homes. Later, she created Nightingale Homes for nursing trainees and acted as mother-in-chief to her extended family of nurses. These efforts, inspired by her Christian faith and training in human care from religious houses, led to major changes in professional nursing and public health, as Nightingale strove for homely, compassionate care in Britain and around the world. Shedid most of this work from her bed after contracting the debilitating illness, brucellosis, in the Crimea, turning her various private homes into offices and ‘households of faith’. In the year of the bicentenary of her birth, she remains as relevant as ever, achieving an astonishing cultural afterlife.

The Crimean War (1854–56) is widely considered the first modern war with its tactical use of railways, telegraphs, and battleships, its long-range rifles, and its notorious trenches – precursors of the Great War. It is also the first media war: the first to know the impact of a correspondent on the field of battle and the first to be documented in photographs. No one, however, including the French themselves, seems to remember that France was there, fighting in Crimea, losing 95,000 soldiers and leading the Allied campaign to victory. It would seem that the Crimean War has no place in the canon of culturally retained historical events that define modern French identity. Looking at literature, art, theatre, material objects, and medical reports, The Crimean War and Cultural Memory considers how the Crimean War was and was not represented in French cultural history in the second half of the nineteenth century. Ultimately, the book illuminates the forgotten traces that the Crimean War left on the French cultural landscape.

This book is a detailed study of the domestic background of life in the Victorian army. It describes the lives of women who lived on the edge of the regimental community as wives, daughters, prostitutes, lovers and workers. It examines the development of policy on marriage of men in the ranks and discusses the links between the military regulation of marriage and Victorian legislation on prostitution. The early history of the service family and the sources of welfare available to families - the poor law, philanthropy, and the regimental system itself - are examined in the light of attitudes to soldiers' marriages. Women of the Regiment reveals the hitherto unexplored role played by the military in shaping Victorian social policy, domestic ideology and attitudes to sexuality. Its originality lies in its feminist discussions of an institution notorious as a male stronghold; as such it makes a vital contribution to our understanding of the nature of masculinity and women's oppression.

The Crimean War (1854-6) was the first to be fought in the era of modern communications, and it had a profound influence on British literary culture, bringing about significant shifts in perceptions of heroism and national identity. In this book, Stefanie Markovits explores how mid-Victorian writers and artists reacted to an unpopular war: one in which home-front reaction was conditioned by an unprecedented barrage of information arriving from the front. This history had formal consequences. How does patriotic poetry translate the blunders of the Crimea into verse? How does the shape of literary heroism adjust to a war that produced not only heroes but a heroine, Florence Nightingale? How does the predominant mode of journalism affect artistic representations of 'the real'? By looking at the journalism, novels, poetry, and visual art produced in response to the war, Stefanie Markovits demonstrates the tremendous cultural force of this relatively short conflict.

Edyta Bojanowska uses Ivan Goncharov's gripping travelogue--a bestseller in nineteenth-century Russia--as a unique eyewitness account of empire in action. Slow to be integrated into the standard narrative on European imperialism, Russia emerges here as an assertive empire eager to emulate European powers and determined to define Russia against them.--