'Savage talked about his life as a re-offender. How could someone be offended by the same thing twice? Was nothing learnt?' Beerlight, the city of all of our futures, is not a safe place. Weaponry, rather than fast cars or designer clothes, is the ultimate status symbol. The populace is dedicated to law-breaking, politically incorrect views and hurling abuse and hand grenades at each other. Combining elements of surrealism, film noir and punk rock ethos, Aylett creates a darkly comic landscape that's a cross between a Tarantino film and a Bosch painting, where murder is the ultimate expression of art. The cast of hoodlums includes burglar extraordinaire Billy Panacea, conman-cum-lawyer Harpoon Specter and other fun-loving felons who hang out at the Delayed Reaction Bar on Valentine Street reading the Parole Violators Bugle.

A golden age crime novel, first published in 1929.

A collection of three radio plays including a Poirot story for live performance comprising Personal Call, Yellow Iris, Butter in a Lordly Dish.

This book introduces the programming language R and covers the necessary skills to conduct quantitative research in criminology. By the end, a person without any prior programming experience can take raw crime data, be able to clean it, visualize the data, present it using R Markdown, and change it to a format ready for analysis.

In a world of lace, silk, and chiffon, Nancy finds that murder is made to order in the eighty-ninth installment of the Nancy Drew Files series. Beau Winston is a hot name in fashion, and he's invited Nancy Drew into his New York studio to find out who is stealing his original designs. But now he has suffered an even greater loss—one that threatens to destroy his reputation. Someone has made off with his most prized creation: a wedding gown custom-made for heiress Joanna Rockwell. Nancy's investigation draws her into a web of hidden motives and twisted ambitions. She uncovers a pattern of intrigue, betrayal, and revenge stretching from Manhattan's Garment District to the Fifth Avenue triplex of the billionaire Rockwell family. And every new thread in the case leads to an increase in danger: for the thief of fashions is now dressed to kill!

Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.

Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The industry operates under the assumption that pleasurable aesthetic experiences, among huge populations, translate into box office success. With that goal in mind, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a massive scale. In Hollywood Aesthetic, Todd Berliner accounts for the chief attraction of Hollywood cinema worldwide: its entertainment value. The book examines films such as City Lights and Goodfellas that have earned aesthetic appreciation from both fans and critics. But it also studies some curious outliers, cult films, and celebrated Hollywood experiments, such as The Killing and Starship Troopers. And it demonstrates that even ordinary popular films, from Tarzan and His Mate to Rocky III, as well as action blockbusters, like Die Hard and The Dark Knight, offer aesthetic pleasure to mass audiences. Hollywood Aesthetic explains how Hollywood engages viewers by satisfying their aesthetic desires. Visit the companion website at www.oup.com/us/hollywoodaesthetic