When the prompter falls dead during the second act of Richard Wagner's Die Walküre during a matinee performance at the Metropolitan Opera, as one can imagine, it causes quite a stir, especially when it is discovered that the deceased, a one time world famous Heldentenor has been poisoned. The detective assigned to the case, Lt. Quentin, finds himself immersed in the back stage drama of professional opera. His task is made more difficult when he decides that it had really been the star soprano who had been the intended victim, and not the prompter. Will he be able to solve the case before there is another Metropolitan Opera Murder?

This unique volume explores the relationship between music and crime in its various forms and expressions, bringing together two areas rarely discussed in the same contexts and combining them through the tools offered by cultural criminology. Contributors discuss a range of topics, from how songs and artists draw on criminality as inspiration to how musical expression fulfills unexpected functions such as building deviant subcultures, encouraging social movements, or carrying messages of protest. Comprised of contributions from an international cohort of scholars, the book is categorized into five parts: The Criminalization of Music; Music and Violence; Organised Crime and Music; Music, Genocide, and Crimes Against Humanity and Music as Resistance. Spanning a range of cultures and time periods, Crime and Music will be of interest to researchers in critical and cultural criminology, the history of music, anthropology, ethnology, and sociology.

A night at the opera turns deadly in this humorous cozy mystery.When Lady Marjorie Snellthorpe reluctantly agrees to join her irritating cousin-in-law, Edna Parkinton on an organised tour followed by a river cruise things don't go to plan.Their party is detained in Cluj-Napoca after the body of one of their own, a difficult diva, is found on their first night in Romania. The death raises questions the police want answers to. Marjorie and Edna lock horns while trying to discover who was responsible. The rest of the guests seem more interested on continuing with their holiday than finding a killer, and a number of them have secrets they would rather remain untold. Can Marjorie get to the bottom of a troubling murder without killing her cousin-in-law and ending up in a Romanian jail?

When a nobleman's mistress is gunned down on the steps of the Covent Garden opera house, brilliant adventurer Atlas Catesby discovers a sinister family connection that compels him to investigate. London, 1815. Amateur sleuth Atlas Catesby is about to discover the dark side of the bright lights. His long-awaited night at the opera with Lady Lilliana ends abruptly when a notorious courtesan is shot to death in Covent Garden. The infamous victim was the mistress of the powerful Marquess of Vessey. Atlas believes that the marquess--his former brother in law--is responsible for the long-ago death of Atlas's sister, Phoebe. Atlas seizes the opportunity to potentially avenge his sister's death. But his inquiry is complicated when Phoebe's grown son implores Atlas to help prove Vessey's innocence. Plunging into the cutthroat backstage life of the theatre community, the adventurer and the noblewoman soon discover that ruthless professional rivalries can escalate into violence, setting the stage for death in Murder at the Opera, D. M. Quincy's third riveting Atlas Catesby mystery set in Regency England.

Based on the exclusive accounts of Detectives Mike Struk and Jerry Giorgio of how they solved the Phantom of the Opera Case.

A conductor succumbs to cyanide at the famed Venice opera house, in the first mystery in the New York Times–bestselling, award-winning series. During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role. “One of the most exquisite and subtle detective series ever.” —The Washington Post “A brilliant writer . . . an immensely likable police detective who takes every murder to heart.” —The New York Times Book Review

Margaret Truman, who knows where all the bodies are buried inside the Beltway, has written her most thrilling novel of suspense yet. Murder at the Opera features the popular crime-fighting couple Mac Smith and his wife, Annabel Reed-Smith, as they navigate the glitz, glamour, and grime that is Washington, D.C. It ain’t over till the fat lady sings . . . but the show hasn’t even started yet when a diva is found dead. The soprano in question, a petite young Asian Canadian named Charise Lee, was scarcely a star at the Washington National Opera. But when the aspiring singer is stabbed in the heart backstage during rehearsals, she suddenly takes center stage. Georgetown law professor Mac Smith thought he’d just be carrying a rapier in Tosca as a favor for his beloved Annabel, but now they’re both being pressured by the panicked theater board to unmask a killer. Providing accompaniment will be former homicide detective, current P.I., and eternal opera fan Raymond Pawkins. Soon the Smiths find themselves dangerously improvising among an expanding cast of suspects with all sorts of scores to settle. What they uncover is an increasingly complex case reaching far beyond Washington to a dark world of informers and terror alerts in Iraq, and climaxing on a fateful night at the opera attended by none other than the President himself.