First multi-year cumulation covers six years: 1965-70.

This book focuses on creative writing both as a subject in universities and beyond academia, with chapters arranged around three organising sub-themes of practice, research and pedagogy. It explores the ‘creative’ component of creative writing in the globalised marketplace, making the point that creative writing occurs in and around universities throughout the world. It examines the convergence of education, globalisation and economic discourses at the intersection of the university sector and creative industries, and foregrounds the competing interests at the core of creativity as it appears in the neo-liberal global discourse in which writers are enmeshed. The book offers case studies from the UK, the USA, Canada, Australia and Singapore that are indicative of the challenges faced by academics, postgraduate students and creative industry professionals around the world.

Do you wish to separate the jolly good fellows from the dour sour pusses from those who seek to ASCEND TO THEIR SIDE DEGREES―but you suffer from lack of imagination when it comes to constructing elaborate hazing rituals and DEVICES? Does fake vomit, joy buzzers and a party pack of fake moustaches only produce yawns, rather than giggles, among your once-merry members? Well, look no further than Catalog no. 439: Burlesque and Side degree Specialties: Paraphernalia and Costumes, in which the manufacturers De Moulin Bros. & Co. from Greenville, Ill. feature the finest electro-dropo benches, goat-shaped tricycles, electric branding irons (and much much more)! Not only does this 1930 catalog, reproduced with marvelous 21st century machinery, provide tightly rendered pen-and-ink period illustrations and detailed product descriptions, it also has helpful how-tos and scripts to aid in the pulling of these pranks on initiates!

What does »creativity« mean in the context of IT and what happens when IT acts in its name? Jan Sebastian Zipp examines the concept of creativity in large IT companies in times of digital change, including new ways of working or potential artificial creativity with no human interaction. Drawing on constitutive elements like Silicon Valley or its connection to counterculture, his analysis of the representation and organisation of creativity as a social practice provides insights into the inherent logic of the creativity narrative of IT. This study contributes vital foundations for a critical engagement with today's prevailing understanding of the concept of creativity.

Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)

It's time you knew the truth about leadership, and that is exactly what Richard Allen unveils in The Genesis Principle of Leadership. Through careful examination of original intent, Richard Allen silences the age-old argument of nature versus nurture. He concludes leaders are not born! Leaders are not made! Leaders are created-in God's image that is. The capacity for great leadership is an inherent, created aptitude within each of us. Not only did God equip us to lead, He also commands us to lead. The Genesis Principle of Leadership reminds us of our unique personhood, designed specifically for effective leadership and aids in reclaiming and cultivating this created capacity. Don't be fooled! You do have the right stuff for leadership! You can be the leader God has called you to be!