The Regulative Principle states that God alone determines the manner in which sinners are to approach him. More specifically, this work by the Scotsman James Begg applies the Regulative Principle and much scriptural proof to demonstrate that the use of musical instruments in the worship of God’s church in these latter days is, as Begg states, “indefensible.” Begg begins his work quoting John Calvin who says, “In Popery they employed organs and many other such ludicrous things, by which the Word and worship of God are exceedingly profaned.” Begg continues this sentiment throughout the entire work which is a powerful argument against most of contemporary worship that is seen each Sunday in modern churches – even those that “say” they stand on the Bible and the 1647 Westminster Confession. Chapters in this work include: The Scriptural Principle Which Regulates Christian Worship; The Inconsistent Use of Musical Instruments in the House of God Under the New Testament; The Impact of Art on Religion; Dancing in Worship; The Westminster Divines on the Greek term “psalmos,” and much more!

Gain an understanding of baptism from four main traditional perspectives. Of all the sacraments, the practice of baptism is often the most disputed. Christians hold different views of its exact significance, who should receive baptism and how old they need to be, the practice of rebaptism, and baptism as a requirement for church membership. In Understanding Four Views on Baptism, four historic views on baptism are considered in depth: Baptist view: baptism of the professing regenerate by immersion (presented by Thomas J. Nettles) Reformed view: infant baptism of children of the covenant (presented by Richard Pratt Jr.) Lutheran view: infant baptism by sprinkling as a regenerative act (presented by Robert Kolb) Church of Christ view: believers' baptism on the occasion of regeneration by immersion (presented by John Castelein) Each view is presented by its proponent, then critiqued and defended in dialogue with the book's other contributors. Here is an ideal setting in which you can consider the strengths and weaknesses of each stance and arrive at your own informed conclusion. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

In this book, a serious scholar with extensive experience in ministry looks at the question of divorce and remarriage. He offers a redemptive theology that affirms the importance of marriage, the urgency of helping people survive their marital crises, and the redemptive mercies and grace of God for those who have divorced and remarried.

Heart and Voice: Instrumental Music in Christian Worship Not Divinely Authorised is a detailed critique of the use of instrumental music in Christian worship. Drawing on the Bible, church history, and music theory, Glasgow argues that the use of instruments is incompatible with the spirit of true worship. A thought-provoking and challenging work for anyone interested in the role of music in religious practice. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.