The Creation of Modern Buenos Aires examines the impact of civic associations on the culture and the society of Buenos Aires and their ties to politics in the first decades of the twentieth century. The period saw the emergence of the modern political system with true appeals to the voters, tremendous urban growth, and the solidification of a barrio identity. Historian Joel Horowitz examines four types of organizations: football clubs, bibliotecas populares (popular libraries), sociedades de fomento (development societies that pushed for barrio improvements), and universidades populares (popular universities that provided practical training beyond the primary school level). All four types became important social centers and were connected to the political world. The book focuses on the period from the passage of a voting reform law in 1912, which made male-citizen voting obligatory and fraud more difficult, to the military coup of 1943. The book shows how civic associations helped create the social world of the city, focusing especially on the part they played in the development of the sense of barrio. It demonstrates how civic associations became vital links in the system of politics that emerged, creating spaces for politicians to build connections to different communities.

Whether for tango, football, or art, passions in Buenos Aires run high. The largest city in Argentina, it is chaotic and lively, dangerous and cosmopolitan, and presents seemingly unlimited attractions for tourists. This book provides a view into the city today, and into its past. Europeans colonized Buenos Aires in the 16th century, and from this modest start by the end of the nineteenth century it had boomed. Its history is one of excesses and swings between authoritarian and democratic governments. By examining Buenos Aires past, we can appreciate what remains as story, urban myth, or reality. "

2022 PROSE Award Finalist in Architecture and Urban Planning 2022 Association for Latin American Art Arvey Foundation Book Award, Honorable Mention Throughout the early twentieth century, waves of migration brought working-class people to the outskirts of Buenos Aires. This prompted a dilemma: Where should these restive populations be situated relative to the city’s spatial politics? Might housing serve as a tool to discipline their behavior? Enter Antonio Bonet, a Catalan architect inspired by the transatlantic modernist and surrealist movements. Ana María León follows Bonet's decades-long, state-backed quest to house Buenos Aires's diverse and fractious population. Working with totalitarian and populist regimes, Bonet developed three large-scale housing plans, each scuttled as a new government took over. Yet these incomplete plans—Bonet's dreams—teach us much about the relationship between modernism and state power. Modernity for the Masses finds in Bonet's projects the disconnect between modern architecture’s discourse of emancipation and the reality of its rationalizing control. Although he and his patrons constantly glorified the people and depicted them in housing plans, Bonet never consulted them. Instead he succumbed to official and elite fears of the people's latent political power. In careful readings of Bonet's work, León discovers the progressive erasure of surrealism's psychological sensitivity, replaced with an impulse, realized in modernist design, to contain the increasingly empowered population.

In the early 20th century, Argentina possessed one of the world's most prosperous economies, yet since then Argentina has suffered a series of boom-and-bust cycles that have seen it fall well behind its regional neighbours. At the same time, despite the lack of significant ethnic or linguistic divisions, Argentina has failed to create an over-arching post-independence national identity and its political and social history has been marred by frictions, violence and a 50-year series of military coups d'etat. In this book, Jill Hedges analyses the modern history of Argentina from the adoption of the 1853 constitution until the present day, exploring political, economic and social aspects of Argentina's recent past in a study which will be invaluable for anyone interested in South American history and politics.

This book explores the intense, internationally significant developments in Argentine art of the 1960s through English translations of the original documents of the time.

Covering the entire sweep of Argentina's history from pre-Columbian times to today Lewis outlines the connections between the colonial era and the 19th century, and focuses closely on the last three decades of the twentieth century, during which Argentina dealt with the legacies of Peronism and of military dictatorship, as well as establishing a stable democracy.

This book reconsiders the relationship between race and nation in Argentina during the twentieth and twenty-first centuries and places Argentina firmly in dialog with the literature on race and nation in Latin America, from where it has long been excluded or marginalized for being a white, European exception in a mixed-race region. The contributors, based both in North America and Argentina, hail from the fields of history, anthropology, and literary and cultural studies. Their essays collectively destabilize widespread certainties about Argentina, showing that whiteness in that country has more in common with practices and ideologies of Mestizaje and 'racial democracy' elsewhere in the region than has typically been acknowledged. The essays also situate Argentina within the well-established literature on race, nation, and whiteness in world regions beyond Latin America (particularly, other European 'settler societies'). The collection thus contributes to rethinking race for other global contexts as well.