Handsomely illustrated reference book, published with the assistance of the Australia Council, which places the history of the crafts movement in Australia in the context of other social and cultural histories and documents the work of crafts practitioners of all kinds, crafts organisations and design schools. It describes crafts events and activities and the role of museums and galleries in promoting craft. Includes endnotes, a select bibliography and an index.

Remedying a neglected part of architectural history, this volume presents the work of four of Australia's most innovative arts and crafts architects—Walter Butler, Harold Desbrowe-Annear, Walter Liberty Vernon, and Robin Dods. The influence of the arts-and-crafts movement in Australia has long been lost between the far better known Gothic and classical revivals and the modernist movement, and obscured by the chronological construction of "federation" architecture, but this study, along with the accompanying photographs and plans, brings to life the simple lines of their design and illustrates why it is so deserving of further recognition.

The Arts and Crafts Movement of the late 19th century in England, inspired by William Morris, is well-known, but its presence in Australia has been largely overlooked. In this ground-breaking and scholarly study of the Australian Arts and Crafts Movement Dr Miley reveals a network of influences and practitioners in Victoria who were well-versed in the British and American movements, and who created a distinctively Australian expression of its principles. This included an emphasis on the use of native materials and flora and fauna, and building design adapted to Australian conditions, producing works of great charm and utility. It was dedicated to improving the quality and status of craft work and, as the architect Alan Walker urged, "the world at large should be taught that art may be looked for outside the space circumscribed by a gilt frame." The book outlines the theory of the movement, its formation and leaders, its societies and publications, and examines the work produced by craftspeople in every medium, much described here for the first time. A chapter is devoted to the role of women, who were to the fore here as in Britain, and includes extensive analysis of the First Australian Exhibition Women's Work of 1907, regarded at the time as the first great national endeavour since Federation. Biographies of the leading exponents and a series of Appendices complete this valuable resource.

Morris & Company: Pre-Raphaelites and the arts and crafts movement in South Australia.

"Reveals ... the exquisite work and extraordinary skill of a group of New Zealand artists, most of them women, working in a wide variety of art and craft forms ... This flowering of local talent ... originated in the British Arts and Crafts movement and is associated with the growth of art education in this country: its quiet but dedicated character also suggests much about the situation of women in the years before and after 1900"--Jacket.

Women Art Workers provides a new social and cultural history of the Arts and Crafts movement which offers unprecedented insight into how women constructed alternative, creative lifestyles and disseminated the ethos of the social importance of the Arts and Crafts across new local, national, and international spheres of influence.