He'd been ready to move on, to marry a woman who'd provide him with heirs. But a year of separation hasn't slaked rancher Clayton Worth's raging desire for his soon-to-be ex-wife. And Trish is as unpredictable as ever. Her mysterious reluctance to have kids was what drove them apart. Now Trish is back in Red Ridge, mother to a baby girl. The irony is maddening. Trish urgently needs to finalize their divorce before Clayton's irresistible charm can melt her resolve. Because his touch awakens a consuming hunger that hasn't died. They'd thought it was all over between them…but their hearts have other ideas.

"Everyone knows a rancher in possession of a large spread needs a wife." Lacy Williams is a USA Today bestselling author of the acclaimed Wyoming Legacy and Cowboy Fairytales series. About Cowboy Pride: First impressions count. Liza Bennett has two missions in life: keep the family's shop afloat, and ensure her shy sister finds love. Sparks fly when she meets rancher Rob Darcy at a town dance, but when she overhears him insult her, she vows to put the man out of her mind. Rob Darcy is instantly attracted to the vivacious Liza but a lack of social graces and the promise he's keeping ruin his chances of winning her. Once jilted, Janie Bennett is appropriately gun-shy of falling in love again. But she doesn't seem to be able to help herself when she meets charming Nathan Bingley. Bingley desperately wants a wife and family of his own. Can he trust that Janie returns his feelings? When Janie is injured in a spring storm, she and Liza are sequestered on Nathan's ranch. Hearts and emotions get tangled, but will first impressions prove true, or false? Cowboy Pride is a Wild West version of Pride and Prejudice with dual love stories.

Don’t Fence Me In. When Wyoming cowboy Robert Tanner promised to help out the new owner of the Three Bar C, he didn’t expect to have to teach a city girl schoolteacher how to run a ranch. Worse, Maggie MacLeod was a beautiful feisty redhead with flashing eyes and kissable lips — a woman who could tempt a saint. Tanner was far from a saint. He didn’t do permanent, he didn’t do relationships. The smart thing would be to leave. But a man was only as good as his word. Trouble was, the longer he stayed, the more Maggie got under his skin…

The gospel of Jesus has not always been good news for Native Americans. But despite the far-reaching effects of colonialism, some Natives have forged culturally authentic ways to follow Jesus. In his final work, Richard Twiss surveys the complicated history of Christian missions among Indigenous peoples and voices a hopeful vision of contextual Native Christian faith.

Why do the earliest representations of cowboy-figures symbolizing the highest ideals of manhood in American culture exclude male-female desire while promoting homosocial and homoerotic bonds? Evidence from the best-known Western writers and artists of the post-Civil War period - Owen Wister, Mark Twain, Frederic Remington, George Catlin - as well as now-forgotten writers, illustrators, and photographers, suggest that in the period before the word 'homosexual' and its synonyms were invented, same-sex intimacy and erotic admiration were key aspects of a masculine code. These males-only clubs of journalists, cowboys, miners, Indian vaqueros defined themselves by excluding femininity and the cloying ills of domesticity, while embracing what Roosevelt called 'strenuous living' with other bachelors in the relative 'purity' of wilderness conditions. Queer Cowboys recovers this forgotten culture of exclusively masculine, sometimes erotic, and often intimate camaraderie in fiction, photographs, illustrations, song lyrics, historical ephemera, and theatrical performances.

"USA Today"-bestselling author and top Western romance author Greenwood is back with this installment in her Night Riders series. Original.

"Exhilarating, like a swift ride through river rapids with a spunky, sexy gal handling the oars."—Washington Post Book World In Pam Houston's critically acclaimed collection of strong, shrewd, and very funny stories, we meet smart women who are looking for the love of a good man, and men who are wild and hard to pin down. "I've always had this thing for cowboys, maybe because I was born in New Jersey,” says the narrator in the collection’s title story. “But a real cowboy is hard to find these days, even in the West.” Our heroines are part daredevil, part philosopher, all acute observers of the nuances of modern romance. They go where their cowboys go, they meet cowboys who don't look the part – and they have staunch friends who give them advice when the going gets rough. Cowboys Are My Weakness is a refreshing and realistic look at men and women – together and apart.