The cowboy is the American knight, so it would follow that tales of knighthood can provide the inspiration for stories about cowboys and the basis for this grand and dazzlingly innovative epic of the old American West by the celebrated author and screenwriter of Urban Cowboy. Inspired by Sir Percival's great quest for the Holy Grail, Aaron Latham has crafted a classic adventure story set among the tumbleweeds of the American West at the twilight of the nineteenth century. It is first and foremost the coming-of-age story of an innocent -- a fledgling cowboy, that singularly American update on the archetypal knight of old. Featuring characters from Latham's acclaimed Code of the West, The Cowboy with the Tiffany Gun is his most exhilarating performance yet. Our young hero is Percy -- but he prefers his nickname, Pyg, short for Percy York Goodnight. When he learns that the man called Loving has been shot and is near death, Percy and his mother, Revelie, rush away to be by Loving's side in Texas. Long ago, Revelie shared with Loving a bond of great passion. Mother and son arrive to find Loving gravely ill -- and to discover that an heirloom ax has disappeared from the ranch. According to Western lore, this was the very ax that Jimmy Goodnight, Percy's presumed father, once pulled out of an anvil. The ax was stolen from the cemetery, where it had been imbedded in Goodnight's tombstone. The stone is gone, too. Latham's historically authentic narrative takes off on a rousing gallop here as Pyg vows to find the ax and must face trials and calamities of a Biblical scale -- flood, fire, gunfights, and the devastating pestilence that changed the course of frontier history. Of Code of the West, James M. McPherson wrote that "Latham has pulled off the seemingly impossible." With The Cowboy with the Tiffany Gun, he has done it again.

Inspired by Sir Perceval's quest for the Holy Grail, this is a classic adventure story set in the American West at the turn of the 19th Century. Loving - one of the heroes of CODE OF THE WEST is close to death - and when Percy York Goodnight 'Pyg' accompanies his mother to his bedside he discovers that the legendary axe which had been embedded in the gravestone of his presumed father, Jimmy Goodnight, has disappeared - together with the tombstone. Pyg vows to recover the axe, but before he can locate it he has to face trials and calamities on a biblical scale: flood, fire, gunfights, and the devastating pestilence that changed the course of frontier history.

Texas cowboys are the stuff of legend — immortalized in ruggedly picturesque images from Madison Avenue to Hollywood. Cowboy cooking has the same romanticized mythology, with the same oversimplified reputation (think campfire coffee, cowboy steaks, and ranch dressing). In reality, the food of the Texas cattle raisers came from a wide variety of ethnicities and spans four centuries. Robb Walsh digs deep into the culinary culture of the Texas cowpunchers, beginning with the Mexican vaqueros and their chile-based cuisine. Walsh gives overdue credit to the largely unsung black cowboys (one in four cowboys was black, and many of those were cooks). Cowgirls also played a role, and there is even a chapter on Urban Cowboys and an interview with the owner of Gilley’s, setting for the John Travolta--Debra Winger film. Here are a mouthwatering variety of recipes that include campfire and chuckwagon favorites as well as the sophisticated creations of the New Cowboy Cuisine: • Meats and poultry: sirloin guisada, cinnamon chicken, coffee-rubbed tenderloin • Stews and one-pot meals: chili, gumbo, fideo con carne • Sides: scalloped potatoes, onion rings, pole beans, field peas • Desserts and breads: peach cobbler, sourdough biscuits, old-fashioned preserves Through over a hundred evocative photos and a hundred recipes, historical sources, and the words of the cowboys (and cowgirls) themselves, the food lore of the Lone Star cowboy is brought vividly to life.

In his latest triumphant novel, Aaron Latham pits Texas guts against Hollywood glitz when a modern-day cowboy turned screenwriter dusts off his Stetson in order to solve a murder. Chick Goodnight has arrived in Hollywood to write a screenplay about his great-great-great-ever-so-great grandfather Jimmy Goodnight -- the legend who more or less invented the Texas cowboy during the 1870s (and who was featured in Latham's Code of the West and The Cowboy with the Tiffany Gun). As the film's director -- smart and beautiful Hollywood veteran Jamie Stone -- shows Chick how to write for the screen, he finds his quaint Western-inspired code of ethics challenged by an industry in which casting departments pimp for their producers and overzealous method actors feel obliged to seduce their costars. But culture shock becomes the least of Chick's worries when his cousin, a young aspiring actress, dies under suspicious circumstances. Shortly, Chick -- taking a few heroic pages from his own script -- is forced to investigate before someone else meets his maker. As Chick's misadventures take him from Hollywood to Texas and back again, Aaron Latham treats us to a bravura piece in which art imitates life imitating art.

For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In Mag Men, Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine. Richly illustrated with the covers and interiors that defined their careers, Mag Men is bursting with vivid examples of Bernard and Glaser’s work, designed to encapsulate their distinctive approach to visual storytelling and capture the major events and trends of the past half century. Highlighting the importance of collaboration in magazine journalism, Bernard and Glaser detail their relationships with a variety of writers, editors, and artists, including Nora Ephron, Tom Wolfe, Gail Sheehy, David Levine, Seymour Chwast, Katherine Graham, Clay Felker, and Katrina vanden Heuvel. The book features a foreword by Gloria Steinem, who reflects on her work in magazines and her collaborations with Bernard and Glaser. At a time when uncertainty continues to cloud the future of print journalism, Mag Men offers not only a personal history from two of its most innovative figures but also a reminder and celebration of the visual impact and sense of style that only magazines can offer.

Rock Steady Boxing The mission of Rock Steady Boxing is to empower people with Parkinson’s disease to fight back. Rock Steady Boxing is a nonprofit organization that uses a noncontact fitness curriculum adapted from boxing drills that has been shown to decrease, delay, and even reverse the symptoms of Parkinson’s disease. At RSB, Parkinson’s disease is the opponent. RSB expects that by the end of 2016, there will be more than 300 affiliate locations throughout the world and that the Rock Steady method will be a worldwide movement in the fight against Parkinson’s.

In this magical and epic novel, the celebrated author of Urban Cowboy delivers a Texas-size love story that transplants the legend of Arthur, Guinevere, Lancelot, and Merlin alive and well to the Old West -- to stunning effect. Code of the West begins when Jimmy Goodnight, a young, earnest cowhand, recovering from having been brutally abducted by Comanches who slaughtered his family, sets his life on a new and surprising course by visiting a county fair. There he agrees to try to pull out an ax that has been deeply imbedded in an anvil and that has defied the efforts of the strongest men in Texas. Jimmy's astonishing and triumphant achievement at the fair changes his life. With the prize money he follows his dream, recruits cowboys, puts together a herd of cattle, and drives them across the plains to a deep canyon, where he intends to make his own private kingdom. Goodnight's luck and courage bring him an early and gratifying success. Above all, they bring him the comradeship of his men, and the friendship of a lifetime, when he meets Jack Loving, who is everything Jimmy Goodnight isn't -- handsome, graceful, a naturally gifted horseman, and a great dancer. Together, Goodnight and Loving make a formidable team, and their relationship is one of complete trust, the bedrock on which Goodnight's growing empire rests, on a seemingly solid foundation -- until a woman appears with whom both men fall in love. All goes well until Goodnight makes a fearful, vengeful, and unforgiving enemy, takes on an Eastern big businessman as a partner -- and falls in love with his beautiful daughter Revelie, and fails to notice the growing mutual attraction bet-ween Revelie and Loving... Compulsively readable, cleverly interweaving Western history (Loving and Goodnight are both based on real people in the historical West) and Arthurian legend, Code of the West is a powerful love story, a sweeping adventure, a great "Western" -- and just the kind of unexpected, unusual, and hugely successful work of fiction that has sealed Aaron Latham's reputation.