The Nehemiah Memoir, the narrative of the royal cupbearer sent to rebuild Jerusalem, is central to Ezra-Nehemiah's account of Persian Judah. Yet its emphasis on one individual's efforts makes it a text that ill-fits the book's story of a communal restoration. Sean Burt analyzes the nature of this curious text through the lens of genre criticism and identifies the impact of its use of genres on its early reception in Ezra-Nehemiah. Drawing upon contemporary theorists of literary genre, within the field of biblical studies and beyond, he builds an understanding of genre capable of addressing both its flexibility and its necessarily historical horizon. Burt argues that the Nehemiah Memoir makes use of two ancient genres: the novelistic court tale (e.g. Esther, Ahiqar, and others) and the "official memorial," or "biographical" genre used across the ancient Near East by kings and other governmental officials for individual commemoration. This study contends that the narrative subtly shifts genres as it unfolds, from court tale to memorial. Nehemiah the courtier becomes Nehemiah the governor. While these genres reveal an affinity to one another, they also highlight a central contradiction in the narrative's portrait of Nehemiah. Nehemiah is, like the people of Jerusalem, beholden to the whims of a foreign ruler, but he also simultaneously represents Persia's power over Jerusalem. Burt concludes that the Nehemiah Memoir's combination of these two ultimately incommensurate genres can account for how the writers of Ezra-Nehemiah modified and corrected Nehemiah's problematic story to integrate it into Ezra-Nehemiah's vision of a holistic restoration enacted by a unified people.

In this remarkable revisionist study, Webb shows that English imperial policy was shaped by a powerful and sustained militaristic, autocratic tradition that openly defined English empire as the imposition of state control by force on dependent people. He describes the entire military connection that found expression in the garrisoned cities of England, Scotland, and Ireland and ultimately in the palisaded plantations of Jamaica, Virginia, and New England. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

As early as the eighteenth century, New England's ministers were decrying public morality in jeremiads aimed at wayward colonists. Evangelical leaders such as Jonathan Edwards called for rulers to become spiritual as well as political leaders who would renew the people's covenant with God. The prosperous merchant Jonathan Belcher (1682-1757) self-consciously strove to become such a leader, an American Nehemiah. As governor of three royal colonies and early patron of the College of New Jersey (later Princeton University), Belcher became an important but controversial figure in colonial America. An insightful blend of social and political history, this biography demands that Belcher be recognized as the embodiment of the Nehemiah, perhaps as important in his own realm as Cotton Mather was in religious circles. Grappling with the contradictions of Belcher's actions, the author explains much about the complexities of the world in which Belcher lived and wielded influence and, by weaving together social, religious, and cultural history, portrays in the career of Jonathan Belcher a richly detailed synthesis of the tumultuous late colonial period.

Elusive Empire is the first full account of how during 1670 and 1730 French settlers came to the Americas. It examines how they and thousands of African slaves together with Amerindians constructed settlements and produced and traded commodities for export. Bringing together much new evidence, the author explores how the newly constructed societies and new economies, without precedent in France, interacted with the growing international violence in the Atlantic world in order to present a fresh perspective of the multifarious French colonizing experience in the Americas.