When you journey through the castles rooms with the main charactersEmma and Titus, Isabella and Zeb, Olivia and Oliveryoull discover how you, too, can become one of the greatest love stories ever told. After all these years of humans walking around on earth, the statistics remains the same: 50 percent divorce and another 40 percent do not have the kind of marriage they wish for their kids. Only about 10 percent are living an authentic happily ever after. How the 10 percenters got there is what youll discover inside the couples castle. They know what drives relationships in todays world is rapidly changing. The old days of treating the wedding ceremony with pixie dust and the be-all and end-all and providing four walls and a roof with dinner served promptly at 5:00 p.m. arent enough anymore. They want more... because theres more to be had. This book offers the relationship blueprint to experience the ultimate relationship, find the love of your life, and make your marriage a masterpieceall within a fun and fast-paced narrative. Join the books couples in their race through the castles rooms to find a real happily ever after and discover all thats possible for you.

A comprehensive social history of families and family law in twentieth-century America Inside the Castle is a comprehensive social history of twentieth-century family law in the United States. Joanna Grossman and Lawrence Friedman show how vast, oceanic changes in society have reshaped and reconstituted the American family. Women and children have gained rights and powers, and novel forms of family life have emerged. The family has more or less dissolved into a collection of independent individuals with their own wants, desires, and goals. Modern family law, as always, reflects the brute social and cultural facts of family life. The story of family law in the twentieth century is complex. This was the century that said goodbye to common-law marriage and breach-of-promise lawsuits. This was the century, too, of the sexual revolution and women's liberation, of gay rights and cohabitation. Marriage lost its powerful monopoly over legitimate sexual behavior. Couples who lived together without marriage now had certain rights. Gay marriage became legal in a handful of jurisdictions. By the end of the century, no state still prohibited same-sex behavior. Children in many states could legally have two mothers or two fathers. No-fault divorce became cheap and easy. And illegitimacy lost most of its social and legal stigma. These changes were not smooth or linear—all met with resistance and provoked a certain amount of backlash. Families took many forms, some of them new and different, and though buffeted by the winds of change, the family persisted as a central institution in society. Inside the Castle tells the story of that institution, exploring the ways in which law tried to penetrate and control this most mysterious realm of personal life.

Julian and Stephanie were married for 31 years when Julian filed for divorce and left his family without notice, moving over 900 miles away. After being separated for a year, and just days before their final divorce court hearing, the Lord led them to reconciliation. Soon after attending a course together called "Married for Life," the Holy Spirit began to speak to their hearts about God's design for marriage. Julian was shown that marriage is like a castle, sitting on high ground. When a married couple is in relationship with Jesus, the castle becomes a fortress, fortified against attack. This is an urgent message that all couples, engaged or married, need to fortify their marital castle. The question is not if your castle will be attacked, but when.

Astaire and Rogers, Tracy and Hepburn. Just the mention of their names evokes the powerful chemistry between these screen couples, which utterly transcended the often formulaic films in which they appeared together. Indeed, watching the synergistic flow of energy between charismatic screen partners is one of the great pleasures of cinema and television, as well as an important vehicle for thinking through issues of intimacy and gender relations. In this book, Martha P. Nochimson engages in a groundbreaking study of screen couple chemistry. She begins by classifying various types of couples to define what sets the synergistic couple apart from other onscreen pairings. Then she moves into extended discussions of four enduring screen couples—Maureen O'Sullivan/Johnny Weissmuller, Myrna Loy/William Powell, Fred Astaire/Ginger Rogers, and Katharine Hepburn/Spencer Tracy. Using theories of neuroscience, she demonstrates that their onscreen chemistry is a very real phenomenon, powerful enough to subvert conventional formulations of male/female relations. Material she has uncovered in the infamous Production Code Administration files illuminates the historical context of her contentions. Finally, Nochimson traces the screen couple to its present-day incarnation in such pairs as Woody Allen/Diane Keaton, Scully/Mulder of The X-Files, and Cliff/Claire Huxtable of The Cosby Show.

Legend of the Dinosaur Tail is one of a series of four fictional books, a trilogy with a prequel. It is of a new breed of humans post World War III called the pale ones, their various conversions, and the start of their society. Legend of the Dinosaur Tail introduces you to the characters and sets the current events, leading to the survival of the new underground civilization. It is a fast-paced series with many plots and twists. Once you pick it up, you will not want to put it down, and you will be looking forward to the next book in the series. The second book of the series will be called Danger in the Land of Grandeur; the third of the series will be called Life in the Legendary City of Gold. And finally, the prequel will be called The Transformation of Life to Legend.

On the eve of the Great War, they had the world at - and watching - their feet. If God is in the details, they were divine.Vernon and Irene Castle were the world's first true celebrity couple. He, an Englishman, was tall and slim, as poised as an elegant evening out, a template for the Hollywood idols who would follow. In a staid age, she, a New Yorker, was a glorious, modern beauty, with her haired cropped into a 'shock', a disdain for crippling corsets, a love of a martini and a good time.Together, they beat the censors and made their vibrant dancing acceptable for all. In the fashionable quarters of New York they opened a dance school and night clubs to which Society flocked. They broke the rules by touring with black musicians, and led the way forward to the Charleston-galloping Gatsby Generation. They enlightened and enchanted from London to Paris to New York, spreading a breathless joy, as though their music had one note, and their dances one step, too many. Launching one racy dance craze after another, they taught the world to dance - and often dress - the way we do today. Adored and acclaimed, they were stars long before the celebrity constellations grew crowded.Yet the whirlwind story of perhaps the most influential dance team ever is also one of tragedy. Their timing, so perfect in everything else, saw Vernon Castle, at the height of their fame, return to England to enlist in the Royal Flying Corps; he saw action as a pilot on the Western Front, winning the Croix de Guerre, while his wife made special appearances to support the Allied war effort. And then, in February 1918, he was killed in a flying accident in Texas, while training American pilots for war. Irene received a last note from him: 'When you receive this letter I shall be gone out of your sweet life. You may be sure that I died with your sweet name on my lips... be brave and don't cry, my angel.'She and many others did cry, for as far as the world was concerned Vernon and Irene Castle could have danced all night, and for ever.'The afternoon was already planned; they were going dancing - for those were the great days: Maurice was tangoing in "Over the River", the Castles were doing a stiffed-leg walk in the third act of the 'Sunshine Girl' - a walk that gave the modern dance a social position and brought the nice girl into the café, thus beginning a profound revolution in American life. The great rich empire was feeling its oats and was out for some not too plebeian, yet not too artistic fun.' - F. Scott Fitzgerald, 'The Perfect Life', one of the Basil and Josephine Stories, first published in the Saturday Evening Post, 5 January 1929.

Castles in the Air is a beautifully written, autobiographical story of rescuing an ancient mansion. Gwydir Castle was inhabited by ravers and rats until Judy Corbett and her husband Peter Welford found and acquired this 500-year-old house mouldering in the foothills of Snowdonia. Despite the toads, strange smells and squatters, they decided to mortgage themselves to the hilt to bring the castle back to life. This is an evocatively written and genuinely moving book and is infused with an extraordinary sense of place. The couple's adventures in a gothic wonderland lead them through plots both supernatural and historical. In a museum storeroom in a Bronx warehouse they find a missing room, in the castle's Solar Tower the ghost of a young woman appears and from the far edges of the woods a silent man called Sven emerges to befriend the couple and their beloved castle. For everyone who has ever wanted to live in a glorious house or escape from the mundanity of life - Castles in the Air is pure magic.