The Country Waif (Franöoise le Champi) is the second of the three pastoral novels which rank along with George Sand's autobiographical writing as her finest work. Although simple in themselves, these tales have behind them much of the complex experience of her extraordinary life. As Mrs. Zimmerman writes in the introduction, they reflect Sand's "youthful romanticism, her later championing of the working classes, and her desire to record in fiction that was both poetic and factual the lives of the people and the region she knew best." Set in the countryside of the author's native province of Berry, The Country Waif tells the story of Franöois, an orphan boy placed in a rural foster home, and Madeline, the miller's wife who befriends him. Sand's contemporary, Turgenev, wrote that it was "in her best manner, simple, true, affecting." The book has been admired by writers as diverse as Willa Cather (she found it "supremely beautiful") and Andrä Malraux, who considered it a masterpiece. As well as examining the setting, language, and narrative mode of the novel, the introduction looks at Sand's life, in part from the feminist perspective, with attention to the sociopolitical background of the post-Napoleonic era, when Aurore Dudevant felt impelled to rebel against her status as a country wife and to become George Sand.

'He's a fool that marries, but he's a greater fool that does not marry a fool.' This bawdy, hilarious, subversive and wickedly satirical drama pokes fun at the humourless, the jealous, and the adulterous alike. It features a country wife, Margery, whose husband believes she is too naïve to cuckold him; and an anti-hero, Horner, who pretends to be impotent in order to have unrestrained access to the women keen on 'the sport'. A number of licentious and hypocritical women request Horner's services – the country wife among them. The Country Wife has provoked powerfully mixed reactions over the years. The seventeenth century libertine king Charles II saw it twice, and is said to have joined the 'dance of the cuckolds' at the end of one performance; the eighteenth century actor-playwright David Garrick declared it 'the most licentious play in the English language'; the Victorian Macaulay compared it to a skunk, because it was 'too filthy to handle and too noisome even to approach'. Twentieth century productions heralded it a Restoration masterpiece. Sexually frank, and as ready to criticise marriage as infidelity, the virtuosity, linguistic energy, brilliant wit, naughtiness and complexity of this ribald play have made it a staple of the modern stage. This student edition contains a lengthy, entirely new introduction, by leading scholar, Tiffany Stern, with a background on the author, structure, characters, genre, themes, original staging and performance history, as well as an updated bibliography and a fully annotated version of the playtext.

A reanalysis of Sand's major writing, ranging from her early short stories to her later fiction, which identifies her writing as an example of an aesthetic mode often associated with femininity. The study compares Sand's place in the history of the realist novel to that of her male counterparts.

My name is Alice Long, and I've always known I was different.When I was little I used to climb up to the highest branches of the housetree at night, and watch the starships docking at the orbital stations high above. Forty meters off the ground, watching ships thirty thousand kilometers overhead, with senses that could pick out radar pings and comm chatter as easily as the ships themselves. It all seemed perfectly natural at the time.There were other kids with mods at the orphanage, but nothing like that. I learned fast to downplay my abilities, keep my mouth shut and try to blend in. Even as a kid I knew not to trust the Matrons. What would they do, if they realized the Adjustments that were supposed to make me a meek little herd animal didn't do anything?Then I messed up, and gave myself away.Now I'm on the run, hoping against hope that the Matrons won't try too hard to find me. Hoping to survive all the awful things that can happen to a girl on her own in space. Kidnappers, slavers, pirates and yakuza - no matter where I go, trouble always seems to find me.Good thing I'm not as helpless as I look.