This book reveals the decorative and architectural richness to be found in the English country house. Changing styles are traced from medieval manors to Baroque constructions and the Georgian period. The work of the most influential architects from Inigo Jones to Robert Adam is discussed, and the treasures in their creations captured. Drawing on houses from all over England, including Castle Howard in Yorkshire and Stourhead in Wiltshire, the English heritage is explored.

Based on the author's Slade lectures given at Oxford University in 1975-76.

Celebrates the work of one of the greatest garden designers of the late 19th and early 20th centuries.

ADAM Architecture has a worldwide reputation for traditional Western design. Although the practice is based in the UK, it has built award-winning projects of all types around the world, and is known for combining modern interpretations of the Classical tradition with the latest technology. Among its most admired work are its country houses, and 19 of these houses are the focus of this new book, written by architectural historian Jeremy Musson. Robert Adam co-founded the practice (as Winchester Design) in 1986, and has worked with technical director Paul Hanvey for more than 30 years (including at a previous incarnation of the practice). Adam now works with three other architect-directors - Nigel Anderson, Hugh Petter and George Saumarez Smith - to build country houses that are not period reproductions but creative interpretations of past traditions. Each director has his own architectural personality, together producing a body of work that uses historical precedents, including construction techniques, materials, layout and details, to give expression to thoroughly modern works. Their schemes address the modern-day realities of energy conservation, climate control, internet access, computer-managed systems and security - all prerequisites in contemporary house design. Unlike country houses of the past, today's houses must be functional without live-in staff. Kitchens are now the focus of much family life and entertaining, rather than spaces to be kept from sight. These and numerous other practical considerations receive meticulous attention in an ADAM Architecture country house. The book begins with two forewords, with Clive Aslet and Calder Loth offering their interpretations of the ideal country house from a British and an American perspective respectively. The introduction provides an overview of the rich and varied tradition of the English country house, from the medieval manor house to houses of the Elizabethan and Jacobean periods, and the Classically inspired designs of the seventeenth and eighteenth centuries through to the architecture of the Gothic Revival and then the Arts and Crafts Movement. Architects associated with the country house throughout the ages include, among others, John Vanburgh, William Chambers, Robert Adam, John Nash and Sir Edwin Lutyens. And now, today, ADAM Architecture is one of the leading practices designing and building new country houses.

he Arts and Crafts Country House is a fascinating and beautifully illustrated survey of some of Britain's most important houses. The Arts and Crafts Movement produced some of our country's greatest works of design, architecture and decorative art. It grew out of a reaction against the Industrial Revolution in the late 1850s, inspired by an alternative vision of life based on the revival of traditional building crafts and the use of local materials. Country Life magazine, founded in 1897, championed the movement in the weekly articles it devoted to country houses, illustrated with specially commissioned photographs. In his stunning book, Clive Aslet draws upon this unique archive to provide a detailed survey of 25 major country houses, designed by the movement's foremost architects, including Lutyens, Webb, Williams-Ellis and Blow. He also shows how the Arts and Crafts tradition continues to influence architects today. The 22nd title in this acclaimed series, The Arts and Crafts Country House reveals the enduring legacy of an architectural ideal.

The great interest of Jocelyn Playfair's book for modern readers is its complete authenticity. Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when we still had no idea which way the war was going.

The magnificent country houses built in Britain between 1890 and 1939 were the last monuments to a vanishing age. Many of these great mammoths of domestic architecture were unsuited to the changes in economic and social priorities that followed the two world wars, and rapidly became extinct. Those that survive, however, provide tangible evidence of the life and death of an extraordinarily prosperous age.The fascinating world, so vividly depicted in Evelyn Waughs Brideshead Revisited, can now be viewed from a new perspective. The Last Country Houses will enlighten all those interested in glimpsing the lost life style of another age.