The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.

Beginning with new evidence that cites the presence of books in Roman villas and concluding with present day vicissitudes of collecting, this generously illustrated book presents a complete survey of British and Irish country house libraries. Replete with engaging anecdotes about owners and librarians, the book features fascinating information on acquisition bordering on obsession, the process of designing library architecture, and the care (and neglect) of collections. The author also disputes the notion that these libraries were merely for show, arguing that many of them were profoundly scholarly, assembled with meticulous care, and frequently used for intellectual pursuits. For those who love books and the libraries in which they are collected and stored, The Country House Library is an essential volume to own.

Sixty-two stunning houses in a range of architectural styles spanning seven centuries are brought to life through glorious imagery from the photography library of Country Life magazine.

From an acclaimed social and architectural historian, the tumultuous, scandalous, glitzy, and glamorous history of English country houses and high society during the interwar period As WWI drew to a close, change reverberated through the halls of England's country homes. As the sun set slowly on the British Empire, the shadows lengthened on the lawns of a thousand stately homes. In The Long Weekend, historian Adrian Tinniswood introduces us to the tumultuous, scandalous and glamorous history of English country houses during the years between World Wars. As estate taxes and other challenges forced many of these venerable houses onto the market, new sectors of British and American society were seduced by the dream of owning a home in the English countryside. Drawing on thousands of memoirs, letters, and diaries, as well as the eye-witness testimonies of belted earls and bibulous butlers, Tinniswood brings the stately homes of England to life as never before, opening the door to a world by turns opulent and ordinary, noble and vicious, and forever wrapped in myth. We are drawn into the intrigues of legendary families such as the Astors, the Churchills and the Devonshires as they hosted hunting parties and balls that attracted the likes of Charlie Chaplin, T.E. Lawrence, and royals such as Edward VIII and Wallis Simpson. We waltz through aristocratic soiré, and watch as the upper crust struggle to fend off rising taxes and underbred outsiders, property speculators and poultry farmers. We gain insight into the guilt and the gingerbread, and see how the image of the country house was carefully protected by its occupants above and below stairs. Through the glitz of estate parties, the social tensions between old money and new, the hunting parties, illicit trysts, and grand feasts, Tinniswood offers a glimpse behind the veil of these great estates -- and reveals a reality much more riveting than the dream.

Based on the author's Slade lectures given at Oxford University in 1975-76.

"There is nothing quite like the English country house anywhere else in the world." So pronounces Vita Sackville-West in the beautiful essay that opens English Country Houses, a brief history of the English country house from the Middle Ages to the twentieth century. People may know of Sackville West's novels, or her passion for gardening, or her relationship with Virginia Woolf, but few know of her efforts to boost the morale of her beloved England during World War II. Sackville-West spent her childhood years at Knole House, a stately country home that deeply influenced her life and work. In entertaining and accessible prose she brings a deep affection to the task of boosting the morale of a country beset by war. This volume in the Britain in Pictures series is a love letter to the elegant homes of the English countryside and served as a balm to a besieged country. Writing at the height of the Blitz, as cities lay in smoldering ruins after relentless bombing, Sackville-West demonstrates a yearning for the safety provided by these exceptional buildings. We discover the architecture of the stately houses, with details conveyed in such entertaining and vivid prose that the buildings and surrounding areas come to life. The story is not just about the buildings, however, but also about the people who built and lived in them, from the most common of squires to the highest-born kings and queens. Equal parts architectural history and cultural history, this insider's view is quintessentially British. Its elegant package, with a ribbon for bookmarking, makes it the perfect gift for any Anglophile.

Nearly 2000 Irish country houses are feature d in this book, each having an alphabetical entry describing it. Almost all the entries give information on the history and ownership of the houses; many of them are enlivened with anecdotes and details. '