This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice was reviewed, including the role of art and architecture, and the invocation of the five senses to incite devotion became a hotly contested topic. The Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of reason in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime, and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, processions, music, and theater as important parts of religious experience.

This book comprises nine key articles on the Counter-Reformation, introduced and contextualized for the student reader. They show that these reforms were more than a mere reaction against the Protestant challenge to Catholic doctrine and institutions, rather, they also constituted an internal renewal that transformed sixteenth- and seventeenth-century Catholic religious life in many complex ways. The collection surveys the conceptual and geographical range of work on the subject since 1945, and includes innovative articles on spirituality, the religious life of ordinary Catholics, the work of missionaries in the New World, and the changing role of women in Catholic culture. The essays are divided into two groups - "Definitions" and "Outcomes" - to illustrate the distinction between reform as a historical idea and as set of processes. The book provides an ideal starting point for an exploration into key topics of debate surrounding this central event of European history.

Modern scholarship has effectively demonstrated that, far from being a knee-jerk reaction to the challenges of Protestantism, the Catholic Reformation of the sixteenth and seventeenth centuries was fuelled primarily by a desire within the Church to reform its medieval legacy and to re-enthuse its institutions with a sense of religious zeal. In many ways, both the Protestant and Catholic Reformations were inspired by the same humanist ideals and though ultimately expressed in different ways, the origins of both movements can be traced back to the patristic revival of the fifteenth and sixteenth centuries. Nevertheless, it is undeniable that many contemporaries, and subsequent historians, came to view the Catholic Reformation as an attempt to challenge the Protestants and to cut the ground from beneath their feet. In this new revised edition of Dr Wright's groundbreaking study of the Counter-Reformation, the wide panoply of the Catholic Reformation is spread out and analysed within the political, religious, philosophical, scientific and cultural context of late medieval and early modern Europe. In so doing, this book provides a fascinating guide to the many doctrinal and interrelated social issues involved in the wholesale restructuring of religion that took place both within Western Europe and overseas.

The enduring "black legend" of the Italian Counter-Reformation, which has held sway in both scholarly and popular culture, maintains that the Council of Trent ushered in a cultural dark age in Italy, snuffing out the spectacular creative production of the Renaissance. As a result, the decades following Trent have been mostly overlooked in Italian literary studies, in particular. The thirteen essays of Innovation in the Italian Counter-Reformation present a radical reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume’s contributors weave literary analysis together with religion, theater, art, music, science, and gender to demonstrate that the literature of this period not only merits study but is positively innovative. Contributors include such renowned critics as Virginia Cox and Amadeo Quondam, two of the leading scholars on the Italian Counter-Reformation. Distributed for UNIVERSITY OF DELAWARE PRESS

'In the last two decades, the history of the Counter-Reformation has been stretched and re-shaped in numerous directions. Reflecting the variety and innovation that characterize studies of early modern Catholicism today, this volume incorporates topics as diverse as life cycle and community, science and the senses, the performing and visual arts, material objects and print culture, war and the state, sacred landscapes and urban structures. Moreover, it challenges the conventional chronological parameters of the Counter-Reformation and introduces the reader to the latest research on global Catholicism. The Ashgate Research Companion to the Counter-Reformation presents a comprehensive examination of recent scholarship on early modern Catholicism in its many guises. It examines how the Tridentine reforms inspired conflict and conversion, and evaluates lives and identities, spirituality, culture and religious change. This wide-ranging and original research guide is a unique resource for scholars and students of European and transnational history.

Bireley explores the anti-Machavellian tradition of sixteenth- and seventeenth-century Europe and the writers who cultivated it, including Giovanni Botero and Justus Lipsius. The tradition produced an international political literature that is immensely important for understanding the Counter-Reformation, Baroque culture, and early modern politics and diplomacy. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.