A Pulitzer Prize-winning journalist exposes the secret history of racial cleansing in America

The Removal of the Five Tribes from what is now the Southeastern part of the United States to the area that would become the state of Oklahoma is a topic widely researched and studied. In this annotated bibliography, Herman A. Peterson has gathered together studies in history, ethnohistory, ethnography, anthropology, sociology, rhetoric, and archaeology that pertain to the Removal. The focus of this bibliography is on published, peer-reviewed, scholarly secondary source material and published primary source documents that are easily available. The period under closest scrutiny extends from the passage of the Indian Removal Act in 1830 to the end of the Third Seminole War in 1842. However, works directly relevant to the events leading up to the Removal, as well as those concerned with the direct aftermath of Removal in Indian Territory, are also included. This bibliography is divided into six sections, one for each of the tribes, as well as a general section for works that encompass more than one tribe or address Indian Removal as a policy. Each section is further divided by topic, and within each section the works are listed chronologically, showing the development of the literature on that topic over time. The Trail of Tears: An Annotated Bibliography of Southeastern Indian Removal is a valuable resource for anyone researching this subject.

Assemble a composite portrait of the Texas plains through these historic tales. Many thousands of years ago, Clovis Man hunted huge mammoths here. More recently, Waylon Jennings drew his musical inspiration here. In the intervening time, the Texas prairie has been the backdrop for the wildest of Wild West shootouts, landmark legal battles and epic achievements in sports, music and medicine. Familiar icons like Roy Orbison and Dan Blocker, as well as forgotten characters like Charlie "Squirrel-Eye" Emory and John "the Catfish Kid" Gough all helped shape the colorful history of the Texas Plains. Who shot the sheriff? Who was the earliest American? Who invented the slam dunk? Author Chuck Lanehart answers these questions and many more in a wide-ranging collection of stories.

In honor of what would have been Clarence Jordan's one hundredth birthday and the seventieth anniversary of Koinonia Farm, the first Clarence Jordan Symposium convened in historic Sumter County, Georgia, in 2012, gathering theologians, historians, actors, and activists in civil rights, housing, agriculture, and fair-trade businesses to celebrate a remarkable individual and his continuing influence. Clarence Jordan (1912-1969), a farmer and New Testament Greek scholar, was the author of the Cotton Patch versions of the New Testament and the founder of Koinonia Farm, a small but influential religious community in southwest Georgia. Fruits of the Cotton Patch,Volume 2 contains Symposium presentations that interpret Jordan's storytelling and the meaning of his prophetic voice in the areas of peacemaking in the context of historical harms, the future of the affordable housing movement, and the direction of the New Monastic movement. These essays and others invite the curious, the student, and the teacher alike to experience the life and work of Clarence Jordan and its powerful connection to the present.

"[A] vital investigation of Forsyth’s history, and of the process by which racial injustice is perpetuated in America." —U.S. Congressman John Lewis Forsyth County, Georgia, at the turn of the twentieth century, was home to a large African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white “night riders” launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten. National Book Award finalist Patrick Phillips tells Forsyth’s tragic story in vivid detail and traces its long history of racial violence all the way back to antebellum Georgia. Recalling his own childhood in the 1970s and ’80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth “all white” well into the 1990s. In precise, vivid prose, Blood at the Root delivers a "vital investigation of Forsyth’s history, and of the process by which racial injustice is perpetuated in America" (Congressman John Lewis).