In his first book ever, the father of string theory reinvents the world's concept of the known universe and man's unique place within it. Line drawings.

The authors in this volume consider the intersection of Daoism and ecology, looking at the theoretical and historical implications associated with a Daoist approach to the environment. They also analyze perspectives found in Daoist religious texts and within the larger Chinese cultural context in order to delineate key issues found in the classical texts.

A master teacher presents the ultimate introduction to classical mechanics for people who are serious about learning physics "Beautifully clear explanations of famously 'difficult' things," -- Wall Street Journal If you ever regretted not taking physics in college -- or simply want to know how to think like a physicist -- this is the book for you. In this bestselling introduction to classical mechanics, physicist Leonard Susskind and hacker-scientist George Hrabovsky offer a first course in physics and associated math for the ardent amateur. Challenging, lucid, and concise, The Theoretical Minimum provides a tool kit for amateur scientists to learn physics at their own pace.

This book tells the story of one of the most important gardens in Europe, created by the architectural critic and designer Charles Jencks and his late wife, the landscape architect and author Maggie Keswick. The Garden of Cosmic Speculation is a landscape that celebrates the new sciences of complexity and chaos theory and consists of a series of metaphors exploring the origins, the destiny and the substance of the Universe. The book is illustrated with year-round photography, bringing the garden's many dimensions vividly to life.

- A unique exposition of the foundations of the quantum theory of black holes including the impact of string theory, the idea of black hole complementarily and the holographic principle bull; Aims to educate the physicist or student of physics who is not an expert on string theory, on the revolution that has grown out of black hole physics and string theory

Landforms are a fast-developing art form that enjoy a wide following today, because of their multiple uses and their enveloping beauty. As formal landscapes that often arise from necessity - recycling a coal site for human use or making new use of excess earth - they are a pleasure to walk over and through. In this collection of his recent work, Charles Jencks explains his particular approach to the landform. Like the prehistoric earthworks of Britain that have been an inspiration, such as Stonehenge, his landforms contain cosmic symbolism, and they draw together sculpture, epigraphy, water, gardens, scrap metal and architecture. They address perennial themes - identity, patterns of nature, death and the power of life - but in a contemporary way, based on the insights of science. So Jencks portrays universal aspects of DNA, the spacetime warp of a black hole, the extraordinary way cells divide and unite and some basic forms of life. Other designs include sharp comments on recent events: a water garden of war in France critiques the 2003 invasion of Iraq using 'waterpults' and 'hose-guns' among other interactive features; a white garden made from birch trees, flying bones and computer graphics deals with some fatal consequences of modernity. Jencks addresses, with wit and irony, some of the strange possibilities that arise with extra-large landforms. Northumberlandia, perhaps the largest human figure ever made, presents the question of which body parts one can walk on safely, which are dangerous and which need to be suppressed. What became perhaps the heaviest work of art in the world, at 20 million tons, was also the opportunity to transform a large open-cast mine into a dynamic landscape of giant mounds and sculpted lakes. As in his The Garden of Cosmic Speculation, to which this book is a sequel, Jencks seeks to define a new landscape iconography based on forms and themes that may be eternal, in the sense that they crystallise nature's laws, some of which have been recently discovered. To see a world in a grain of sand was a poetic quest of William Blake and, in a different sense, to find the universe in a ritual landscape was a goal of prehistoric cultures. Jencks allies these spiritual affinities with the view of science that stresses the common patterns that underlie all parts of the cosmos, thus making them like our home planet, and the universe in a landscape.

Physical Laws of the Mathematical Universe: Who Are We? sets off from the first page on an arduous and ambitious journey to define and describe a comprehensive depiction of reality that embraces the rigors of physics, the elegance of mathematics, and the intricacies of human perception. Neeti Sinha brings to bear her extensive education and research as she pursues an explanation that unites these often disparate disciplines in service of a nuanced description of the wonders of the whole universe. In the course of its exploration of this topic, Physical Laws of the Mathematical Universe: Who Are We? unites insights from the fields of mathematics and physics in light of human perception to explain the contours of the universe and the origins of its parallel forms. The work also demonstrates how major scientific conundrums find their resolution when one adopts a holistic perspective. Finally, the author uncovers the profound foundations of human appreciation for truth and beauty in the aesthetics that bind together physics and mathematics. If you look at your life and the world and wonder about their true nature, then Physical Laws of the Mathematical Universe: Who Are We? will accompany you on a journey that may test the limits of your understandings of the universe while opening to your gaze vistas you previously had not imagined.