Joel M. Rothman considers the significance of cosmology in biblical and extra-biblical texts, and the role of the cosmic journey in many apocalyptic narratives. He posits that Revelation's narrative likewise takes the hearer on a virtual journey, through a cosmic story-space of great theological significance. While scholarship commonly assumes a three-tiered cosmos in Revelation, Rothman argues that Revelation's narrative operates in a four-tiered cosmos, with the hyper-heaven sitting above the sky-heaven, earth, and abyssal depths; a cosmic story-space that is recreated in the imagination of the hearers. Beginning with a methodology of visual narrative reading, Rothman then discusses the assumptions and existing conceptions regarding heaven and earth. He stresses that Revelation does not exhibit tension in its portrayal of heaven - between heaven as a site of conflict and heaven as the realm in which God truly reigns - but rather shows readers a sky-heaven characterised by archetypal conflict between powerful sky-beings and a hyper-heaven defined by full recognition of the Throne. In journeying through the sky-structure and God-space and by analysing the four cosmic layers in operation, the distinct nature of the two sky-spaces, cosmic change and the ideological import of the cosmic structure, Rothman demonstrates that the existence of the hyper-heaven - in contradistinction with the limited lived-cosmos of earth and sky-heaven - is a present guarantee of the final cosmic transformation that creates a new space for human life, exclusive of imperial draconian elements.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

In this study, John R. Markley argues that the generic portrayal of apocalyptic seers, which he reconstructs through an analysis of fourteen Jewish and Christian apocalypses, shaped Matthew's portrayal of Peter. This influence of the apocalypse genre has come to bear on the Matthean Peter indirectly, through Matthew's appropriation of Markan and Q source material, and directly, through Matthew's redaction and special material. This suggests that Matthew has portrayed Peter, in part, as an apocalyptic seer who was an exclusive recipient of mysteries about Jesus and mysteries mediated by Jesus. In other words, Matthew primarily conceived of Peter as a recipient of revelation, analogously to the venerated seers portrayed in the apocalypses of the Second Temple period. Markley states that these conclusions require substantial revision to the predominant scholarly estimations of the Matthean Peter, which mainly hold him to be a typical or exemplary disciple.

In these volumes we pays tribute to George W.E. Nickelsburg through acts of engaged, critical scholarship, in which specialists reread articles reproduced in these pages and respond to them, with Nickelsburg then joining issue—a protracted engagement, spanning an entire intellectual career and many of its more important moments. The print edition is available as a set of two volumes (9789004129870).

Selection of articles and excerpts by George Nickelsburg, with critical responses and Nickelsburg's rejoinders.

"Three Cosmic Messages reviews the three angels' messages of Revelation 14. These messages are Christ's last message of love to mankind, calling him to worship God and refuse the mark of the beast"--

The 'Dictionary of New Testament Background' joins the 'Dictionary of Jesus and the Gospels', the 'Dictionary of Paul and his Letters' and the 'Dictionary of the Later New Testament and its Developments' as the fourth in a landmark series of reference works on the Bible. In a time when our knowledge of the ancient Mediterranean world has grown, this volume sets out for readers the wealth of Jewish and Greco-Roman background that should inform our reading and understanding of the New Testament and early Christianity. 'The Dictionary of New Testament Background', takes full advantage of the flourishing study of the Dead Sea Scrolls and offers individual articles focused on the most important scrolls. In addition, the Dictionary encompasses the fullness of second-temple Jewish writings, whether pseudepigraphic, rabbinic, parables, proverbs, histories or inscriptions. Articles abound on aspects of Jewish life and thought, including family, purity, liturgy and messianism. The full scope of Greco-Roman culture is displayed in articles ranging across language and rhetoric, literacy and book benefactors, travel and trade, intellectual movements and ideas, and ancient geographical perspectives. No other reference work presents so much in one place for students of the New Testament. Here an entire library of scholarship is made available in summary form. The Dictionary of New Testament Background can stand alone, or work in concert with one or more of its companion volumes in the series. Written by acknowledged experts in their fields, this wealth of knowledge of the New Testament era is carefully aimed at the needs of contemporary students of the New Testament. In addition, its full bibliographies and cross-references to other volumes in the series will make it the first book to reach for in any investigation of the New Testament in its ancient setting.