Winner of the 2023 Gradiva Award for 'Best Book'! The Correspondence of Victoria Ocampo, Count Keyserling and C. G. Jung centres on two pivotal meetings: Victoria Ocampo and Hermann von Keyserling’s in 1929, and Ocampo and Carl Gustav Jung’s in 1934. The first section of the book chronicles these encounters, which proved to be key moments in the lives of the players and had repercussions both private and public. The later sections consist of the correspondence and other writings that preceded and followed these meetings, translated from French, German, and Spanish, much of it for the first time. Jung framed Keyserling’s account of the encounter with Ocampo as "one of the most beautiful animus-anima stories I have ever heard." But that story, told here from the three points of view of the pioneering Argentine intellectual, the Baltic German philosopher, and the Swiss founder of analytical psychology, can also be read in the contexts of early-twentieth-century feminism and of gender and sexual politics, of the colonizing European gaze on the Americas, of Argentina and its cultural complexes, of typological impasses, and of Eros and the power of words. The fraught relationships and power dynamics among three influential figures will be of interest to analytical psychologists, historians of psychological disciplines and of South America, as well as general readers.

Explores European civilisation as a concept of twentieth-century political practice and the project of a transnational network of European elites. This title is available as Open Access.

Anteros: A Forgotten Myth explores how the myth of Anteros disappears and reappears throughout the centuries, from classical Athens to the present day, and looks at how the myth challenges the work of Freud, Lacan, and Jung, among others. It examines the successive cultural experiences that formed and inform the myth and also how the myth sheds light on individual human experience and the psychoanalytic process. Topics of discussion include: Anteros in the Italian Renaissance, the French Enlightenment and English Modernism psychologizing Anteros: Freud, Lacan, Girard, and Jung three anterotic moments in a consulting room. This book presents an important argument at the boundaries of the disciplines of analytical psychology, psychoanalysis, art history, and mythology. It will therefore be essential reading for all analytical psychologists and psychoanalysts as well as art historians and those with an interest in the meeting of psychoanalytic thought and mythology.

Winner of the IAJS award for best edited book of 2018! The Routledge International Handbook of Jungian Film Studies weaves together the various strands of Jungian film theory, revealing a coherent theoretical position underpinning this exciting recent area of research, while also exploring and suggesting new directions for further study. The book maps the current state of debates within Jungian orientated film studies and sets them within a more expansive academic landscape. Taken as a whole, the collection shows how different Jungian approaches can inform and interact with a broad range of disciplines, including literature, digital media studies, clinical debates and concerns. The book also explores the life of film outside cinema - what is sometimes termed ‘post-cinema’ - offering a series of articles exploring Jungian approaches to cinema and social media, computer games, mobile screens, and on-line communities. The Routledge International Handbook of Jungian Film Studies represents an essential resource for students and researchers interested in Jungian approaches to film. It will also appeal to those interested in film theory more widely, and in the application of Jung’s ideas to contemporary and popular culture.

Craig Stephenson draws on depth psychology to provide an original and profound study of W. H. Auden's Pulitzer Prize winning poem, The Age of Anxiety. Stephenson also examines Leonard Bernstein's symphony, The Age of Anxiety (Symphony No. 2 for Piano and Orchestra), inspired by Auden's poem, and three ballets based on Bernstein's music.

This book encapsulates John Beebe’s influential work on the analytical psychology of consciousness. Building on C. G. Jung’s theory of psychological types and on subsequent clarifications by Marie-Louise von Franz and Isabel Briggs Myers, Beebe demonstrates the bond between the eight types of consciousness Jung named and the archetypal complexes that impart energy and purpose to our emotions, fantasies, and dreams. For this collection, Beebe has revised and updated his most influential and significant previously published papers and has introduced, in a brand new chapter, a surprising theory of type and culture. Beebe’s model enables readers to take what they already know about psychological types and apply it to depth psychology. The insights contained in the fifteen chapters of this book will be especially valuable for Jungian psychotherapists, post-Jungian academics and scholars, psychological type practitioners, and type enthusiasts.

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