This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.

Samuel Butler, Victorian against the Grain is an interdisciplinary collection of essays that provides a critical overview of Butler's career, one which places his multifaceted body of work within the cultural framework of the Victorian age.

In the wake of the 2009 Darwin bicentenary, Samuel Butler (1835-1902) is becoming as well known for his public attack on Darwin's character and the basis of his scientific authority as for his novels Erewhon and The Way of All Flesh. In the first monograph devoted to Butler's ideas for over twenty years, David Gillott offers a much-needed reappraisal of Butler's work and shows how Lamarckian ideas pervaded the whole of Butler's wide-ranging ouevre, and not merely his evolutionary theory. In particular, he argues that Lamarckism was the foundation on which Butler's attempt to undermine professional authority in a variety of disciplines was based. Samuel Butler against the Professionals provides new insight into a fascinating but often misunderstood writer, and on the surprisingly broad application of Lamarckian ideas in the decades following publication of the Origin of Species.

The present volume is an empirical, corpus-based study of the progressive in 19th-century English. As the 1800s have been relatively neglected in previous research, and as the study is based on a new cross-genre corpus focusing on this period (CONCE = A Corpus of Nineteenth-Century English), the volume adds significantly to our knowledge of the historical development of the progressive. The use of two separate measures enables an accurate account of the frequency development of the progressive, which is also related to multi-feature/multi-dimensional analyses. Other topics covered include the complexity of progressive verb phrases and the distribution of the construction across linguistic parameters such as clause type. Special attention is paid to progressives that express something beyond purely aspectual meaning. The results show that the progressive became more fully integrated into English grammar over the 19th century, but also that linguistic and extralinguistic parameters affected this integration process; for instance, the construction was more common in women’s than in men’s private letters. Owing to the wide methodological scope of the study, it is of interest to linguists specializing in corpus linguistics, language variation and change, verbal syntax, the progressive, or the linguistic expression of aspect, either in synchrony or diachrony.

Marc Redfield maintains that the literary genre of the Bildungsroman brings into sharp focus the contradictions of aesthetics, and also that aesthetics exemplifies what is called ideology. He combines a wide-ranging account of the history and theory of aesthetics with close readings of novels by Goethe, George Eliot, and Gustave Flaubert. For Redfield, these fictions of character formation demonstrate the paradoxical relation between aesthetics and literature: the notion of the Bildungsroman may be expanded to apply to any text that can be figured as a subject producing itself in history, which is to say any text whatsoever. At the same time, the category may be contracted to include only a handful of novels, (or even none at all), a paradox that has led critics to denigrate the Bildungsroman as a phantom genre.