"The Correspondence of Catherine McAuley, 1818-1841 is a new, fully documented edition of more than 320 surviving letters written by, to, or about McAuley during her lifetime. Drawn from archives worldwide and arranged chronologically, the letters are carefully transcribed and generously annotated. A general introduction and brief introductions to each section provide context. In her letters as well as in those of the other correspondents, one sees a delightfully human, affectionate woman; a compassionate, persistent servant of the poor and neglected; an astute businesswoman; and an unpretentious, humorous friend."--BOOK JACKET.

Mary C. Sullivan, R.S.M., is Professor Emerita of Language and Literature, and Dean Emerita of the College of Liberal Arts, at the Rochester Institute of Technology. She is the author of numerous works, including The Correspondence of Catherine McAuley, 1818-1841 (CUA Press) and Catherine McAuley and the Tradition of Mercy.

A collection of some of the most important writings by and about Catherine McAuley, founder of the Sisters of Mercy, including letters, memoirs, and annals written by many of the first Sisters of Mercy. Also here are the Venerable McAuley's original manuscript of the Rule and Constitutions of the order, critically edited for the first time. '... a scholarly book ... marks significant progress in that area of women's history which is concerned with the foundresses of women's religious orders ... an important seminal contribution to the study of Catherine McAuley' Sophie McGrath, Journal of Religious History.

Fundraising, Flirtation and Fancywork examines the history and development of the charity bazaar movement in Australia. Transported from Britain, the charity bazaar played an integral role in Australian communal, social and philanthropic life from the early days of European settlement. Ranging in size and scale, from simple sales of goods to month long extravaganzas, charity bazaars were such a popular and successful means of raising revenue that they sustained the majority of the nation’s major public and religious institutions. The nineteenth-century charity bazaar was a paradox. On the one hand, it encapsulated responsibility and civic duty through its raison d’etre, which was the provision of support for charitable causes. On the other, it encouraged a loosening of social and gendered restraint as women of the middle and upper classes repositioned themselves in a public space where the acquisition of material goods, gambling and flirting with men was actively encouraged. From their inception, bazaars were the domain of women. They provided middle and upper class women with an opportunity to exercise their organisational, creative and social skills outside the domestic sphere, within a framework of socially acceptable philanthropic endeavour. Women’s dominance and public role in charity bazaars destabilised conventional gender relations. The nucleus of the charity bazaar was the fancywork produced by women for sale on the stalls. Bazaars were an accessible and important repository for the display and sale of women’s creative work and the bazaar movement was instrumental in shaping women’s fancywork. Bazaars were revered and reviled in colonial Australia. Despite the criticisms and the many social and cultural changes that occurred in nineteenth-century Australia, charity bazaars continued to escalate in number, popularity and complexity. They predated and influenced the great international exhibitions and the development of larger shops and emporiums and by the end of the century, had evolved into themed entertainment and shopping spectacles known as grand bazaars. Charity bazaars mirrored and shaped the social customs, mores and fashions of their time and are a rich, largely untapped, interdisciplinary historical source.

Building on various feminist theories of ethos, the authors in this collection explore how North American Catholic women from various periods, races, ethnicities, sexualities, and classes have used elements of the group’s positionality to make change. The women considered in the book range from the earliest Catholic sisters who arrived in the United States to women who held the Church hierarchy accountable for the sexual abuse scandals. The book analyzes women such as those in an African American order who developed an ethos that would resist racism. Chapters also consider better known Catholic women such as Dolores Huertas, Mary Daly, and Joan Chittister.

This work is a novel approach to the charism of Catherine McAuley. It is an inspirational view of how a life can be influenced by a strong workable philosophy. It centers around the qualities of compassion and unconditional love. Although it has a pedagogical thrust, it is applicable to anyone pursuing a meaningful way of life. This reflective work can initiate a self analysis which can prompt a clearer understanding of life's journey.

Catherine McAuley (1778-1841), the founder of the Sisters of Mercy in 1831, frequently gave oral instructions to the first Mercy community. Though she sometimes spoke explicitly about their religious vows, her words were always focused on the life, example, teachings, and evangelic spirit of Jesus Christ, emphasizing "resemblance" to him, and fidelity to the calls of the Gospel. Her instructions have, therefore, a broad present-day relevance that can be inspiring and encouraging for all Christians. They are the "shining" words of a companion, a soul-friend, who offers guiding light to those who wend their pilgrim way toward the full embrace of God's merciful reign.