Excerpt from The Corrector of the Press in the Early Days of Printing In the fifteenth century offices the proofreader was invariably a scholar of real attainments, who usually com binod the role of textual editor with that of corrector of the press. The accomplishments of some of these readers are recorded in the colophons of many incunabula. I have ex amined in some detail the evidence of this Character occur ring in volumes printed in Paris during the fifteenth century and similar evidence can be found in the colophons of early volumes printed elsewhere. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Part I, "The old printer", is a revised edition of the author's "William Caxton", 1844; pt. II. "The modern press" is "a view of the progress of the press to our own day, especially in relation to ... cheap popular literature".

The author of The Footnote reflects on scribes, scholars, and the work of publishing during the golden age of the book. From Francis Bacon to Barack Obama, thinkers and political leaders have denounced humanists as obsessively bookish and allergic to labor. In this celebration of bookmaking in all its messy and intricate detail, renowned historian Anthony Grafton invites us to see the scholars of early modern Europe as diligent workers. Meticulously illuminating the physical and mental labors that fostered the golden age of the book—the compiling of notebooks, copying and correction of texts and proofs, preparation of copy—he shows us how the exertions of scholars shaped influential books, treatises, and forgeries. Inky Fingers ranges widely, tracing the transformation of humanistic approaches to texts in the seventeenth and eighteenth centuries and examining the simultaneously sustaining and constraining effects of theological polemics on sixteenth-century scholars. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and craft knowledge, manuscript and print. Above all, Grafton makes clear that the nitty-gritty of bookmaking has had a profound impact on the history of ideas—that the life of the mind depends on the work of the hands.

Excerpt from The Old Printer and the Modern Press In 1844 I wrote, and published in my series of 'The Weekly Volume' William Caxton, a Biography. That little work sold as largely as any of the collection. It will not be reprinted, as I have cancelled the stereotype plates. In the present work I have remodelled that biography; rendering it a more compact narrative of the state of knowledge before the invention of printing, of the personal history of the man who brought the invention to England, and of the nature of his efforts to diffuse information amongst his countrymen. This account forms the First Part of this volume. The Second Part embraces a very broad view of the Progress of the Press to our own day, especially in relation to the important subject of Cheap Popular Literature. In treating of the remarkable revolution of our times in the prices of books, I cannot avoid incidentally noticing some of my own labours in that direction. I have done so as slightly as possible; and, I trust, in the impartial spirit of an honest chronicler. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.