David MacDougall argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words.

Explorees the cultural origins and psychological aspects of body identity disorders. Discusses the influence of contemporary virtual and cyberspace imagery on self-image. Draws on author’s professional experience largely dedicated to exploring disorders wherein body identity is the chosen field for communication and exchange. Re-examines such illnesses as anorexia, bulimia, body dysmorphic disorder, and others

Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary. By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns—particularly the link between cinematic realism and contingency—that the other essays explore further. Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami. Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang

First English translation of the Coptic text (c. 400 CE), with commentaries and indices, to this major source for the teachings of Mani. Manichaeism was the most successful of the gnostic dualistic traditions that challenged the triumph of the imperial Christian Church.

Bold and pioneering, this book makes a detailed historical and systematic case that Descartes's theory of knowledge is an elegant and powerful combination of a priori, naturalistic, and dialectical elements meriting serious consideration by both contemporary analytic philosophers and postmodern thinkers. In the course of making this case Thomas Vinci develops a broad reinterpretation of Cartesian thought that unlocks novel solutions to many of the most vexed questions in Cartesian scholarship.

Descartes is not simply our iconic modern philosopher, mathematician or scientist. He stands as the cultural symbol for modernity itself. As such, Descartes is widely read in and out of universities as the definitive moment in the birth of what we take to be the Modern. Yet, recent scholarship has presented numerous challenges to the Cartesian image. Some question the legitimacy of calling Descartes a founder of modernity. Others have questioned the very legitimacy of Modernity itself, using Descartes as a way into that critique This collection of original papers by leading philosophers and historians of early modern thought opens up these questions, exploring them in new and markedly interdisciplinary ways, offering fresh insights into the important relationship between Descartes and the Modern, and the very meaning and status of Modernity itself. This collection assembles together for the first time leading representatives from what might be called the “naturalist” or Anglo-American school with those of the continental “phenomenological” school in a dialogue concerning Descartes’ place. The papers explore crucial questions and recent disputes regarding Descartes’ relationship to his predecessors, to his contemporaries and to modern thought, to the philosophy of mind, to questions of metaphysics and natural philosophy. Descartes and the Modern helps bridge solitudes drawn between these traditional approaches to Descartes.

Religion, like any other domain of culture, is mediated through symbolic forms and communicative behaviors, which allow the coordination of group conduct in ritual and the representation of the divine or of tradition as an intersubjective reality. While many traditions hold out the promise of immediate access to the divine, or to some transcendent dimension of experience, such promises depend for their realization as well on the possibility of mediation, which is necessarily conducted through channels of communication and exchange, such as prayers or sacrifices. An understanding of such modes of semiosis is therefore necessary even and especially when mediation is denied by a tradition in the name of the 'ineffability" of the deity or of mystical experience. This volume models and promotes an interdisciplinary dialogue and cross-cultural perspective on these issues by asking prominent semioticians, historians of religion and of art, linguists, sociologists of religion, and philosophers of law to reflect from a semiotic perspective on the topic of mediation and immediacy in religious traditions.