“Fresh and original . . . full of lush writing and detailed worldbuilding . . . [with a] rich fantasy landscape and an almost Shakespearean feel.”—Paste Twins imbued with incredible magic and near-immortality will do anything to keep their family in power—even if it tears the family apart—in the first book of a mythic epic fantasy duology from the New York Times bestselling author of Wilder Girls. ONE OF THE MOST ANTICIPATED BOOKS OF 2022—BookPage Rhea and Lexos were born into a family unlike any other. Together with their siblings, they control the seasons, the tides, and the stars, and help their father rule their kingdom. Thanks to their magic, the family has ruled for an eternity, and plan to rule for an eternity more. But Rhea and Lexos are special: They are twins, bonded down to the bone, and for the past hundred years, that bond has protected them as their father becomes an unpredictable tyrant—and his worsening temper threatens the family’s grip on power. Now, with rival nations ready to attack, and a rebel movement within their own borders, Rhea and Lexos must fight to keep the kingdom—and the family—together, even as treachery, deceit, and drama threaten to strand the twins on opposite sides of the battlefield. In a Garden Burning Gold is a vividly written, atmospheric saga that explores the limits of power and the bonds of family—and how far both can be bent before they break.

Nothing is the same after Countess Lalage moves in. She is a lovely woman with an enviable reputation and standing, but there is a strange mystery surrounding her. There is also a shadow of a great crime on her house. While it may sound hysterical, those who knew her found it impossible to ignore.

The working class in New York City was remade in the mid-nineteenth century. In the 1820s a substantial majority of city artisans were native-born; by the 1850s three-quarters of the city's laboring men and women were immigrants. How did the influx of this large group of young adults affect the city's working class? What determined the texture of working-class life during the antebellum period? Richard Stott addresses these questions as he explores the social and economic dimensions of working-class culture. Working-class culture, Stott maintains, is grounded in the material environment, and when work, population, consumption, and the uses of urban space change as rapidly as they did in the mid-nineteenth century, culture will be transformed. Using workers' first-person accounts—letters, diaries, and reminiscences—as evidence, and focusing on such diverse topics as neighborhoods, diet, saloons, and dialect, he traces the rise of a new, youth-oriented working-class culture. By illuminating the everyday experiences of city workers, he shows that the culture emerging in the 1850s was a culture clearly different from that of native-born artisans of an earlier period and from that of the middle class as well.