Selected from the two most recent proceedings of the Cooperstown Symposium on Baseball and American Culture (2019 and 2021), this collection of essays explores subject matter centered both inside and beyond the ballpark. Fifteen contributors offer critical commentary on a range of topics, including controversial decisions on the field and in Hall of Fame elections; baseball's historical role as a rite of passage for boys; two worthy catchers who never received their due; the genesis and development of the minor leagues; and baseball's place in popular culture.

In Baseball Rebels Peter Dreier and Robert Elias examine the key social challenges—racism, sexism and homophobia—that shaped society and worked their way into baseball’s culture, economics, and politics. Since baseball emerged in the mid-1800s to become America’s pastime, the nation’s battles over race, gender, and sexuality have been reflected on the playing field, in the executive suites, in the press box, and in the community. Some of baseball’s rebels are widely recognized, but most of them are either little known or known primarily for their baseball achievements—not their political views and activism. Everyone knows the story of Jackie Robinson breaking baseball’s color line, but less known is Sam Nahem, who opposed the racial divide in the U.S. military and organized an integrated military team that won a championship in 1945. Or Toni Stone, the first of three women who played for the Indianapolis Clowns in the previously all-male Negro Leagues. Or Dave Pallone, MLB’s first gay umpire. Many players, owners, reporters, and other activists challenged both the baseball establishment and society’s status quo. Baseball Rebels tells stories of baseball’s reformers and radicals who were influenced by, and in turn influenced, America’s broader political and social protest movements, making the game—and society—better along the way.

When baseball’s reserve clause was struck down in late 1975 and ushered in free agency, club owners feared it would ruin the game; instead, there seemed to be no end to the “baseball fever” that would grip America. In Gathering Crowds: Catching Baseball Fever in the New Era of Free Agency, Paul Hensler details how baseball grew and evolved from the late 1970s through the 1980s. Trepidation that without the reserve clause only wealthy teams would succeed diminished when small-market clubs in Minnesota, Kansas City, and Boston found their way to pennants and World Series titles. The proliferation of games broadcast on cable and satellite systems seemed to create a thirst for more baseball rather than discourage fans from going to the ballpark. And as fans clicked the turnstiles and purchased more and more team-licensed products, the national pastime proved it could survive and thrive even as other professional sports leagues vied for the public’s attention. By the end of the 1980s, baseball had positioned itself to progress into the future stronger and more popular than ever. Gathering Crowds reveals how the national pastime moved beyond the grasp of the reserve clause to endure a lengthy strike and drug scandals and then prosper as it never had before. The book also offers insight into how societal issues influenced baseball in this new era, from women in the clubhouses and minorities finally named as managers to a gay player’s debut at the big-league level. Gathering Crowds is a fascinating examination of baseball’s transformation during this unprecedented era.

Sport is a universal feature of global popular culture. It shapes our identities, affects our relationships, and defines our communities. It also influences our consumption habits, represents our cultures, and dramatizes our politics. In other words, sport is among the most prominent vehicles for communication available in daily life. Nevertheless, only recently has it begun to receive robust attention in the discipline of communication studies. The Handbook of Communication and Sport attends to the recent and rapid growth of scholarship in communication and media studies that features sport as a central site of inquiry. The book attempts to capture a full range of methods, theories, and topics that have come to define the subfield of "communication and sport" or "sports communication." It does so by emphasizing four primary features. First, it foregrounds "communication" as central to the study of sport. This emphasis helps to distinguish the book from collections in related disciplines such as sociology, and also points readers beyond media as the primary or only context for understanding the relationship between communication and sport. Thus, in addition to studies of media effects, mediatization, media framing, and more, readers will also engage with studies in interpersonal, intercultural, organizational, and rhetorical communication. Second, the handbook presents an array of methods, theories, and topics in the effort to chart a comprehensive landscape of communication and sport scholarship. Thus, readers will benefit from empirical, interpretive, and critical work, and they will also see studies drawing on varied texts and sites of inquiry. Third, the Handbook of Communication and Sport includes a broad range of scholars from around the world. It is therefore neither European nor North American in its primary focus. In addition, the book includes contributors from commonly under-represented regions in Asia, Africa, and South America. Fourth, the handbook aims to account for both historical trajectories and contemporary areas of interest. In this way, it covers the central topics, debates, and perspectives from the past and also suggests continued and emerging pathways for the future. Collectively, the Handbook of Communication and Sport aspires to provide scholars and students in communication and media studies with the most comprehensive assessment of the field available.

Explores Jackie Robinson’s compelling and complicated legacy Before the United States Supreme Court ruled against segregation in public schools, and before Rosa Parks refused to surrender her bus seat in Montgomery, Alabama, Jackie Robinson walked onto the diamond on April 15, 1947, as first baseman for the Brooklyn Dodgers, making history as the first African American to integrate Major League Baseball in the twentieth century. Today a national icon, Robinson was a complicated man who navigated an even more complicated world that both celebrated and despised him. Many are familiar with Robinson as a baseball hero. Few, however, know of the inner turmoil that came with his historic status. Featuring piercing essays from a range of distinguished sportswriters, cultural critics, and scholars, this book explores Robinson’s perspectives and legacies on civil rights, sports, faith, youth, and nonviolence, while providing rare glimpses into the struggles and strength of one of the nation’s most athletically gifted and politically significant citizens. Featuring a foreword by celebrated directors and producers Ken Burns, Sarah Burns, and David McMahon, this volume recasts Jackie Robinson’s legacy and establishes how he set a precedent for future civil rights activism, from Black Lives Matter to Colin Kaepernick.

This work examines American sport from its traditional roots to the influence of the 1960s-era counterculture and the rise of a post-Cold War ethos that reinterprets competition as a relic of a misbegotten past and anathema to American life.

Young readers will root for Toni “Tomboy” Stone, the first woman (and the first Black woman) to break into professional baseball—taking over Hank Aaron’s roster spot—in this nonfiction picture book biography. Nothing could stop Toni “Tomboy” Stone from playing baseball—not even her parents. The only girl on a church team, she persevered as insults were hurled her way from the boy players. She caught the attention of former major leaguer Gabby Street, who gave her a chance at his summer baseball school. With Coach Street’s training—and the cleats he gifted her—Toni managed to earn a spot in the minor leagues. Though teams were hesitant to sign a woman, she pitched the idea that fans would pay to see a woman play—and it worked! But Toni’s persistence and optimism were not enough to win over the Jim Crow South crowds nor her male teammates. Coaches put her in the starting lineup and then benched her early, every game, no matter her results. But her talent got noticed and she was signed by the Indianapolis Clowns, becoming the first woman to break into the pros. “Toni arrives,” shouted newspaper headlines, and she delivered! In her first professional game she ripped a single and drove in two runs, and left the crowd chanting “TONI! TONI! TONI!”