Hello, sun. Good to see you, puppy. What’s going on, butterfly? Hello, My World… Making connections between images on a page and the real world is an important building block for your baby’s communication skills—and this charming introduction to simple objects found around a baby’s world, paired with friendly text and bold, basic patterns, provides an important high-contrast experience for young developing eyes. Using simple greetings like “Bonjour, flowers,” “What’s up, clouds?”, and “Hola, baby” alongside lovely black-and-white art by Jannie Ho (illustrator of TummyTime: Animal Parade), Hello, My World is the perfect board book for babies just beginning to look around and learn about their world. Also available: Hello, Baby Animals; Hello, Ocean Friends; and Hello, Garden Bugs.

This beautiful 12"X17" oversized hardcover features complete stories scanned from P. Craig Russell's stunning original art. While appearing to be in black & white, each page has been scanned in color to recreate as closely as possible the experience of viewing the actual originals¿including blue pencils, notes, art corrections and more. Pages are reproduced at original size on heavy paper stock to provide fans, aficionados and collectors with the best possible reproductions.

In the eight years since his first full-length novel Gridlinked was published by Pan Macmillan, Neal Asher has firmly established himself as one of the leading British writers of Science Fiction, and his novels are now translated in many languages. Most of his stories are set in a galactic future-scape called ‘The Polity’, and with this collection of marvellously inventive and action-packed short stories, he takes us further into the manifold diversities of that amazing universe. No one does monsters better than Neal Asher, so be prepared to revisit the lives and lifestyles of such favourites as the gabbleduck and the hooder, to savour alien poisons, the walking dead, the Sea of Death, and the putrefactor symbiont.

Rutu Modan's Exit Wounds was chosen by The Times as one of the three best graphic novels of 2007. It won the 2008 Eisner Award for the Best New Graphic Novel and was nominated for the Angoulême Best Comic Book Prize. Jamilti and Other Stories collects Modan's early short works: stories that range from darkly fantastical and unsettling to surprising discoveries that shape personal identity. And, as in Exit Wounds, she addresses political violence affecting everyday lives.

A heartwarming story by a "New York Times"-bestselling author. Paige Darling loves the stuffed rabbit her grandmother has made for her, but when she ties a helium-filled balloon to Bun Bun Button the toy gets loose and goes floating away, and it may take some Darling luck to bring her home. Full color.

“The Contrast“, which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers. Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler’s play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans—and, if so, how? Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.

In 1967, the Supreme Court legalized interracial marriage in America. Devin Hughes was born two years later to a black father and white mother who fled to Washington DC to escape the racism of the Deep South. Bigotry still ran rampant up North, and light-skinned, greeneyed Devin felt its pull from both ends: strangers who didn't know he was half-black and friends who didn't care he was half-white. In racial limbo, Devin found himself more consumed with his dysfunctional family life-a father who offered an alternative "street" education and a mother whose drug use zombified her for most of his childhood. Despite his parents' flaws, they were Devin's greatest believers. From his dad founding a neighborhood baseball team to his mom advocating for him in school, they taught Devin that anything imaginable was within reach, that their mistakes needn't be his choices, and that his destiny was for greatness. Ultimately, Contrast: A Biracial Man's Journey to Desegregate His Past isn't a book about race; it's a book about acceptance, perseverance, and love.