For millennia, people of all cultures have decorated the surfaces of their domestic, religious, and public buildings. Earthen architecture in particular has been, and continues to be, a common ground for surface decoration such as paintings, sculpted bas-relief, and ornamental plasterwork. This volume explores the complex issues associated with preserving these surfaces. Case studies from Asia, Europe, Africa, the Middle East, and the Americas are presented. The publication is the result of a colloquium held in 2004 at Mesa Verde National Park, Colorado, co-organized by the Getty Conservation Institute (GCI) and the National Park Service (NPS). The meeting brought together fifty-five conservators, cultural resource managers, materials scientists, engineers, architects, archaeologists, anthropologists, and artists from eleven countries. Divided into four themes--Archaeological Sites, Museum Practice, Historic Buildings, and Living Traditions--the papers examine the conservation of decorated surfaces on earthen architecture within these different contexts.

Includes a free CD containing the full contents of the book.The rammed earth technique, in all its variants, is widespread all over the world. This enormously prevalent building technique harbours an important richness of varieties both in application and in materials used. Interventions on historical rammed earth buildings have also been carried o

Vernacular architecture in general and earthen architecture in particular, with their rich variety of forms worldwide, are custodians of the material culture and identity of the peoples who built them. In addition, they are widely recognized as ancestral examples of sustainability in all their variants and interpretations, and the architecture of the present ought to learn from these when designing the sustainable architecture of the future. The conservation of these architectures – seemingly simple yet full of wisdom – is to be undertaken now given their intrinsic value and their status as genuine examples of sustainability to be learnt from and interpreted in contemporary architecture. Vernacular and earthen architecture: Conservation and Sustainability will be a valuable source of information for academics and professionals in the fields of Environmental Science, Civil Engineering, Construction and Building Engineering and Architecture.

Earthen architecture constitutes one of the most diverse forms of cultural heritage and one of the most challenging to preserve. It dates from all periods and is found on all continents but is particularly prevalent in Africa, where it has been a building tradition for centuries. Sites range from ancestral cities in Mali to the palaces of Abomey in Benin, from monuments and mosques in Iran and Buddhist temples on the Silk Road to Spanish missions in California. This volume's sixty-four papers address such themes as earthen architecture in Mali, the conservation of living sites, local knowledge systems and intangible aspects, seismic and other natural forces, the conservation and management of archaeological sites, research advances, and training.

The 4th annual US/ICOMOS International Symposium orgnanised by US/ICOMOS, the Graduate Program in Historic Preservation of the University of Pennsylvania, and the Getty Conservation Institute, help in Philadelphia, April 2001.

Nature has provided opportunities for scientists to observe patterns in biomaterials which can be imitated when designing construction materials. Materials designed with natural elements can be robust and environment friendly at the same time. Advances in our understanding of biology and materials science coupled with the extensive observation of nature have stimulated the search for better accommodation/compression of materials and the higher organization/reduction of mechanical stress in man-made structures. Bio-Inspired Materials is a collection of topics that explore frontiers in 3 sections of bio-inspired design: (i) bionics design, (ii) bio-inspired construction, and (iii) bio-materials. Chapters in each section address the most recent advances in our knowledge about the desired and expected relationship between humans and nature and its use in bio-inspired buildings. Readers will also be introduced to new concepts relevant to bionics, biomimicry, and biomimetics. Section (i) presents research concepts based on information gained from the direct observation of nature and its applications for human living. Section (ii) is devoted to ‘artificial construction’ of the Earth. This section addresses issues on geopolymers, materials that resemble the structure of soils and natural rocks; procedures that reduce damage caused by earthquakes in natural construction, the development of products from vegetable resins and construction principles using bamboo. The last section takes a look into the future towards the improvement of human living conditions. Bio-Inspired Materials offers readers - having a background in architecture, civil engineering and systems biology - a new perspective about sustainable building which is a key part of addressing the environmental concerns of current times.

On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.