When a comet appears in the sky over England in 1066, Ailith, a young Saxon wife, feels sure that it can only bode well, in spite of her husband's fears. With a child on its way, the couple are prosperous and content. Yet, within a year, Ailith's joy turns to heartache as her husband and her child are taken from her and the conquering Normans advance. Ailith's grief turns to love for a brief period with Rolf de Brize, a handsome and womanising Norman invader. She bears him one daughter, but in the aftermath of the Battle of Hastings she discovers a betrayal she cannot forgive . . . Years later, the spirited and strong-willed Julitta is determined to find happiness, and yet her life has been filled with pain: from surviving life in a brothel in Southwark to suffering the pain of a forbidden love and a bitter, loveless marriage. Her quest takes her on a Pilgrimage to Compostella to a colourful horse fair in Bordeaux, to the terrors of piracy on the open sea.

Cover -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Note on Transliteration and Translation -- Introduction -- Chapter 1. Frontier with the House of Gold -- Chapter 2. A Foundation for History -- Chapter 3. Dear Son, What Is the Matter with You? -- Chapter 4. A Demon with Ruby Eyes -- Chapter 5. The Half Smile -- Chapter 6. A Conquest of Pasts -- Conclusion -- Notes -- Works Cited -- Acknowledgments -- Index

The Conquest: The Story of a Negro Pioneer (1913) is a novel by Oscar Micheaux. Before he became the first Black movie mogul in American history, Micheaux was a homesteader-turned novelist whose passion for storytelling and business acumen were born from a youth of hard work and struggle. The son of a former slave, Micheaux dedicated his life to countering the dominant narratives of American history while inspiring and empowering Black people around the world. “The heavy rains washed the loam from the hills and deposited it on these bottoms. Years ago, when the rolling lands were cleared, and before the excessive rainfall had washed away the loose surface, the highlands were considered most valuable for agricultural purposes, equally as valuable as the bottoms now are.” A Black homesteader named Oscar Devereaux reflects on a life of perseverance. Raised alongside twelve siblings in rural Illinois, he leaves home and family behind to seek a life of fortune and independence. Never one to set limits, Devereaux discovers that no dream is beyond his reach. Dedicated to educator and orator Booker T. Washington, The Conquest was described by its author as the “true story of a negro who was discontented and [of] the circumstances that were the outcome of that discontent.” With a beautifully designed cover and professionally typeset manuscript, this edition of Oscar Micheaux’s The Conquest: The Story of a Negro Pioneer is a classic of African American literature reimagined for modern readers.

Looks at advertising during the 1960s, focusing on the relationship between the counterculture movement and commerce.

For more than one hundred years, the Conquest of the Desert (1878–1885) has marked Argentina’s historical passage between eras, standing at the gateway to the nation’s “Golden Age” of progress, modernity, and—most contentiously—national whiteness and the “invisibilization” of Indigenous peoples. This traditional narrative has deeply influenced the ways in which many Argentines understand their nation’s history, its laws and policies, and its cultural heritage. As such, the Conquest has shaped debates about the role of Indigenous peoples within Argentina in the past and present. The Conquest of the Desert brings together scholars from across disciplines to offer an interdisciplinary examination of the Conquest and its legacies. This collection explores issues of settler colonialism, Indigenous-state relations, genocide, borderlands, and Indigenous cultures and land rights through essays that reexamine one of Argentina’s most important historical periods.

In the first volume of an exciting new series, bestselling author Alison Weir brings the dramatic reigns of England’s medieval queens to life. The lives of England’s medieval queens were packed with incident—love, intrigue, betrayal, adultery, and warfare—but their stories have been largely obscured by centuries of myth and omission. Now esteemed biographer Alison Weir provides a fresh perspective and restores these women to their rightful place in history. Spanning the years from the Norman conquest in 1066 to the dawn of a new era in 1154, when Henry II succeeded to the throne and Eleanor of Aquitaine, the first Plantagenet queen, was crowned, this epic book brings to vivid life five women, including: Matilda of Flanders, wife of William the Conqueror, the first Norman king; Matilda of Scotland, revered as “the common mother of all England”; and Empress Maud, England’s first female ruler, whose son King Henry II would go on to found the Plantagenet dynasty. More than those who came before or after them, these Norman consorts were recognized as equal sharers in sovereignty. Without the support of their wives, the Norman kings could not have ruled their disparate dominions as effectively. Drawing from the most reliable contemporary sources, Weir skillfully strips away centuries of romantic lore to share a balanced and authentic take on the importance of these female monarchs. What emerges is a seamless royal saga, an all-encompassing portrait of English medieval queenship, and a sweeping panorama of British history. Praise for Queens of the Conquest “Best-selling author [Alison] Weir pens another readable, well-researched English history, the first in a proposed four-volume series on England’s medieval queens. . . . Weir’s research skills and storytelling ability combine beautifully to tell a fascinating story supported by excellent historical research. Fans of her fiction and nonfiction will enjoy this latest work.”—Library Journal (starred review) “Another sound feminist resurrection by a seasoned historian . . . Though Norman queens were largely unknowable, leave it to this prolific historical biographer to bring them to life. . . . As usual, Weir is meticulous in her research.”—Kirkus Reviews

Sara Rosario Gonzáles is a restorer of rare books and manuscripts at the Getty Museum in Los Angeles. When Sara restores a sixteenth-century manuscript about an Aztec princess enslaved by Cortés and sent to Europe to entertain the pope and Emperor Charles V, she doesn't realize the power of the tale she's about to immerse herself into. The princess, we find, is determined to avenge the slaughter of her people, and Sara is determined to prove that the book, which caused scandal when first published, was written by the Aztec princess herself, and not the European monk reputed to have penned it. Entwined within Sara's fascination of the manuscript is Sara's own life: the frustration over her inability to commit to Karl, the man who has loved her since high school; the haunting wisdom of her departed mother; and the stability of a father who sees the world in a way Sara does not, both pragmatically and unyieldingly. The Conquest is a beautifully written novel that offers both hope that true love does exist and that history, in all its complexity, is what drives us all toward tomorrow.